Monday, January 6, 2020

Herms & Terms - I

Roman Empire
Portrait Herm of Youth as Mercury
ca. AD 150-170
marble
British Museum

HERM – In Greek religion, sacred objects of stone connected with the cult of Hermes, the fertility god.  . . .  With the development of artistic taste and the conception of the gods as having human form these objects tended to be replaced either by statues or by pillars that were generally square and tapering toward the bottom so as to suggest the human figure.  These were usually surmounted by the bearded head of Hermes (hence the name) and had an erect phallus.  They were used not only as cult objects but also for a variety of purposes, for example as milestones or boundary marks.  They were regarded with respect, if not actually worshipped.  . . .  Herms also occur in Roman sculpture and may have heads of the forest god Silvanus or the chief god, Jupiter Terminus [hence the Latinized near-synonym of TERM].  In later times, all manner of fanciful herms were used as ornaments: both single and double herms existed, and the heads were not always those of gods.  A tapered rectangular stone post topped with a portrait bust is now called a herm [or term]; it is a standard element of architecture in the classical style.

Encyclopædia Britannica (1911)

Jacques Prévost after Polidoro da Caravaggio
Satyrs as Terms
1535
engraving
Victoria & Albert Museum

Anonymous Netherlandish Artist after Cornelis Bos
Herm encased by Strapwork Panel
ca. 1535-40
engraving
Rijksmuseum, Amsterdam

Jean Mignon
Term in the form of a Woman with a Musical Instrument
ca. 1535-55
etching
Metropolitan Museum of Art, New York

Jean Mignon
Term in the form of an Old Man warming his Hands
ca. 1535-55
etching
Metropolitan Museum of Art, New York

Agostino Veneziano
Two Terms after the Antique
1536
engraving
British Museum

Agostino Veneziano
Two Terms after the Antique
1536
engraving
British Museum

Agostino Veneziano
Hercules Terms after the Antique
1536
engraving
British Museum

Anonymous French Artist
Bearded Male Term
ca. 1545-65
drawing
Metropolitan Museum of Art, New York

Anonymous French Artist
Bearded Male Term
ca. 1545-65
drawing
Metropolitan Museum of Art, New York

Anonymous French Artist
Bearded Male Term
ca. 1545-65
drawing
Metropolitan Museum of Art, New York

Anonymous French Artist
Female Term encased by Strapwork Panel
ca. 1545-65
drawing
Metropolitan Museum of Art, New York

Giulio Bonasone after Polidoro da Caravaggio
Terms representing Nymph and Sylvanus
ca. 1545-50
engraving
Victoria & Albert Museum

Giulio Bonasone after Polidoro da Caravaggio
Terms representing Dejaneira and Hercules
ca. 1545-50
engraving
Victoria & Albert Museum