Monday, February 8, 2021

Quattrocento Oil Painting in Venice

Alvise Vivarini
Portrait of a Patrician
1497
oil on panel
National Gallery, London

"Alvise Vivarini, the son of Antonio and the nephew of Bartolomeo Vivarini, was born sometime between 1442 and 1453, according to documentary evidence, and was trained in the family workshop.  . . .  Familiar Vivarini studio types, compositional formulas, and iconographic elements recur often in Alvise's work.  From the beginning, however, Alvise was also responsive to the innovations of Mantegna, Giovanni Bellini, and Antonello da Messina.  The latter's influence was particularly strong, and Alvise is consequently considered to be the leading Venetian exponent of Antonellism, manifested primarily in an insistence on simplified, very plastic forms set in clearly defined spaces.  . . .  Alvise's critical reputation has risen and fallen dramatically during the past century.  Bernard Berenson, in Lorenzo Lotto (1895), identified him as Lotto's master and a leading force in the Venetian Renaissance.  But he later recanted, suggesting instead that the quality of Alvise's work declined through most of his career and that all his late works were studio projects.  This dismissive treatment of Alvise largely persisted until studies by Pallucchini and Steer restored a more balanced view of his achievement." 

– from biographical notes at the National Gallery of Art, Washington DC   

Jacometto Veneziano
Portrait of a Novice
ca. 1490
oil on panel
Cleveland Museum of Art, Ohio

Jacometto Veneziano
Portrait of Alvise Contarini
ca. 1485-95
oil on panel
Metropolitan Museum of Art, New York

attributed to Vittore Carpaccio
Portrait of a Woman
ca. 1495
oil on canvas
Galleria Borghese, Rome

Giovanni Buonconsiglio (il Marescalco)
Virgin and Child
1497
oil on panel
Palazzo Pretorio, Prato

Giovanni Buonconsiglio (il Marescalco) – Italian painter from Vicenza, influenced by Bartolomeo Montagna and Giovanni Bellini.  He worked in Venice from ca. 1495. 

 – Erika Langmuir and Norbert Lynton, Yale Dictionary of Art and Artists (2000)

Bartolomeo Montagna
Virgin and Child
ca. 1490
oil on panel
National Gallery of Art, Washington DC

Bartolomeo Montagna (ca. 1450-1523) – North Italian painter, born near Brescia and trained in Venice.  His austerely geometric and powerful style was influenced by Antonello da Messina.  

– Erika Langmuir and Norbert Lynton, Yale Dictionary of Art and Artists (2000)

workshop of Bartolomeo Montagna
Virgin and Child with Saint
ca. 1483
oil on panel
Walker Art Gallery, Liverpool

Bartolomeo Montagna
Noli me tangere with St John the Baptist and St Jerome
ca. 1492
oil on panel
Gemäldegalerie, Berlin

Bartolomeo Montagna
St Blaise and another Saint
(altarpiece fragment)
ca. 1490
oil on panel
Museo di Castelvecchio, Verona

Giovanni Bellini
Pietà di Bergamo
ca. 1455
oil on panel
Accademia Carrara, Bergamo

Cima da Conegliano
Pietà with the Virgin and Saints
ca. 1490
oil on panel
Gallerie dell' Accademia, Venice

"Cima developed his style early and maintained it with remarkable consistency throughout his career.  Although Vasari may not be literally correct when he mentions Cima as a "discepolo" of Giovanni Bellini (no documentary evidence exists concerning Cima's training), this description is accurate in the sense that the dominant influence on Cima's style was Bellini's mid-career painting of the 1470s and 1480s, which responded to the sojourn of Antonello da Messina in Venice.  Cima's works are characterized by compositional harmony; clear, warm colors; and a concern for plasticity and clearly defined spatial arrangement."

 – from biographical notes at the National Gallery of Art, Washington DC

Cima da Conegliano
Virgin and Child
ca. 1495
oil on panel
Pinacoteca Nazionale, Bologna

Cima da Conegliano
Virgin and Child with St Jerome and St John the Baptist
ca. 1492-95
oil on panel
National Gallery of Art, Washington DC

Cima da Conegliano
Virgin and Child
ca. 1496-99
oil on panel
National Gallery, London

Cima da Conegliano
Baptism of Christ
ca. 1493-94
oil on panel
Chiesa di San Giovanni in Bragora, Venice