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| Anonymous British Designer Béjart Ballet of the 20th Century at the London Coliseum 1977 poster Victoria & Albert Museum, London |
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| Anonymous British Designer Béjart Ballet of the 20th Century at the London Coliseum 1980 poster Victoria & Albert Museum, London |
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| Anthony Crickmay Ballet Rambert, London 1976 poster Victoria & Albert Museum, London |
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| Anonymous British Designer Ballet Rambert, Theatre Royal, Bath 1991 poster Victoria & Albert Museum, London |
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| Tim Moore Associates Ballet Rambert at Sadler's Wells Theatre, London 1986 poster Victoria & Albert Museum, London |
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| Tim Moore Associates Pilobolus at Sadler's Wells Theatre, London 1989 poster Victoria & Albert Museum, London |
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| Michael Curtis Gross Ballet Nacional de Cuba International Festival of the Arts, Mexico City 1968 poster Art Institute of Chicago |
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| Ricardo Reymena Ballet Nacional de Cuba 1983 poster Victoria & Albert Museum, London |
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| Dieter Kortegast Ballett Staatstheater Braunschweig 1968 poster Victoria & Albert Museum, London |
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| Anonymous British Designer DV8 Physical Theatre Royal Court Theatre, London 1992 poster Victoria & Albert Museum, London |
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| Anonymous American Designer Christine Dakin as Phaedra Martha Graham Dance Company 2003 poster Victoria & Albert Museum, London |
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| Robert Longo Tenth Anniversary Benefit for The Kitchen 1981 screenprint (poster) Princeton University Art Museum |
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| Dan Esgro (photographer) and Russ Almquist (designer) Bella Lewitsky Dance Company ca. 1976-79 poster Library of Congress, Washington DC |
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| Bill Cooper Peter Schaufuss and Susan Hogard London Festival Ballet 1988 poster Victoria & Albert Museum, London |
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| Per Arnoldi Dance Lincoln Center for the Performing Arts ca. 1970 lithograph (poster) Minneapolis Institute of Art |
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| Edward Gorey New York City Ballet 1974-75 lithograph (poster) Cooper Hewitt, Smithsonian Design Museum |
Round Objects
Stolen into by vended guises
the marmalade jar swells and,
withdrawn, becomes a lark. There
in the field it skills with flowers
and a traffic painted like the sun
rolls towards our vise over clovers,
fourleaf, tripe. In Jamaica, was it?
a turbine full of oranges, land for
much ado. The jazz was simple, and
only in our heavy language furrows
of shank must its dart assume
pre-Adamic clarity. Let us
rest in the grasses, covered with scented
bugs. Sand admires the perfect vamp
and lip, the tractor reels the sum.
– Frank O'Hara (1926-1966)