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| Rennie Ellis Mick Jagger 1973 gelatin silver print National Gallery of Victoria, Melbourne |
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| Christine Godden Elliot 1973 gelatin silver print National Gallery of Victoria, Melbourne |
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| Nathan Lerner Eye 7 1973 gelatin silver print Brooklyn Museum |
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| William E. Crawford Crown Street in New Haven 1973 platinum print Yale University Art Gallery |
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| Debora Hunter Lighthouse Keeper's Daughter 1974 gelatin silver print Yale University Art Gallery |
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| Lucas Samaras Photo-Transformation 1974 dye diffusion print Denver Art Museum |
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| Stephen Wickham Vanity of Vanities (Self Portrait) 1974 gelatin silver print National Gallery of Victoria, Melbourne |
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| Laurie Wilson Untitled ca. 1975 C-print National Gallery of Victoria, Melbourne |
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| Ralph Steiner Untitled ca. 1975 gelatin silver print Yale University Art Gallery |
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| Jessica Raimi Hector's Suicide 1975 gelatin silver print Yale University Art Gallery |
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| Carol Jerrems Mark and Flappers 1975 gelatin silver print National Gallery of Victoria, Melbourne |
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| Ponch Hawkes Helen at Falconer Street ca. 1975 gelatin silver print National Gallery of Victoria, Melbourne |
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| Hollis Frampton and Marion Faller Zucchini Squash Encountering Sawhorse (series, Vegetable Locomotion) 1975 gelatin silver print Albright-Knox Art Gallery, Buffalo, New York |
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| Hollis Frampton and Marion Faller Savoy Cabbage Flying (series, Vegetable Locomotion) 1975 gelatin silver print Albright-Knox Art Gallery, Buffalo, New York |
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| Hollis Frampton and Marion Faller Sunflower Reclining (series, Vegetable Locomotion) 1975 gelatin silver print Albright-Knox Art Gallery, Buffalo, New York |
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| William Bailey Still Life with Eggs, Candlestick and Bowl 1975 collotype Albright-Knox Art Gallery, Buffalo, New York |
Among them stands a giant shaded elm,
a tree with spreading boughs and aged arms;
they say that is the home of empty Dreams
that cling, below, to every leaf. And more,
so many monstrous shapes of savage beasts
are stabled there: Centaurs and double-bodied
Scyllas; the hundred-handed Briareus;
Chimaera armed with flames; Gorgons and Harpies;
And Geryon, the shade that wears three bodies.
And here Aeneas, shaken suddenly
by terror, grips his sword; he offers naked
steel and opposes those who come. Had not
his companion warned him they were only
thin lives that glide without a body in
the hollow semblance of a form, he would
in vain have torn the shadows with his blade.
– the Cumaean Sybil brings Aeneas to the Underworld, from Book VI of Virgil's Aeneid, translated by Allen Mandelbaum (1971)