Wednesday, May 1, 2024

Relief-Work (Bronze, Lead, Silver)

Louis-Alexandre Bottée
Damnation of Cain
1878
bronze medallion
National Gallery of Art, Washington DC

Marie-Alexandre-Lucien Coudray
Orpheus
(obverse of prize medal)
ca. 1893
silver
National Gallery of Art, Washington DC

Marie-Alexandre-Lucien Coudray
Claude Debussy, 1ᵉ prix
(reverse of prize medal)
ca. 1893
silver
National Gallery of Art, Washington DC

Filarete (Antonio di Pietro Averlino)
King Juba I of Numidia led in Triumph by Julius Caesar
ca. 1433-35
bronze plaquette
National Gallery of Art, Washington DC

Moderno (Galeazzo Mondella)
Mars surrounded by Trophies
ca. 1490-1510
bronze medallion
National Gallery of Art, Washington DC

Antico (Pier Jacopo Alari Bonacolsi)
Portrait of Giulia
ca. 1500-1502
bronze medallion
Victoria & Albert Museum, London

Anonymous Italian Artist
Goddess Roma holding Figure of Victory
1513
gilt-bronze medallion
National Gallery of Art, Washington DC

Giovanni Bernardi
Allegorical Figure
ca. 1530
bronze medallion
National Gallery of Art, Washington DC

Antonio Abondio
Portrait of Caterina Riva
ca. 1560
lead medallion
National Gallery of Art, Washington DC

Anonymous Italian Artist
Portrait of a Lady
ca. 1590
lead medallion
National Gallery of Art, Washington DC

Girolamo Santacroce
Prudence holding a Double-Faced Head
ca. 1524
bronze medallion
National Gallery of Art, Washington DC

Antonio Lombardo
Peace establishing her Reign
1512
bronze relief
National Gallery of Art, Washington DC

Gian Antonio Signoretti
Bust of Gabriele Lippi of Reggio Emilia
ca. 1580
lead medallion
National Gallery of Art, Washington DC

Gian Antonio Signoretti
Bust of Giulia Pratonieri of Reggio Emilia
ca. 1580
lead medallion
National Gallery of Art, Washington DC

Jules-Clément Chaplain
Commemorating the Russian Squadron at Toulon
1893
bronze medallion
Victoria & Albert Museum, London

Karl Goetz
The Pact of Malice
(German wartime propaganda)
1915
bronze medallion
Victoria & Albert Museum, London

Eighty

Lonely in his great age, Henry's old friend
leaned on his burning cane while his old friend
was hymnèd out of living. 
The Abbey rang with sound. Pound white as snow
bowed to them with his thoughts – it's hard to know them though
for the old man sang no word. 

Dry, ripe with pain, busy with loss, let's guess.
Gone. Gone them wine-meetings, gone green grasses
of the picnics of rising youth.
Gone all, slowly. Stately, not as the tongue
worries the loose tooth, wits as strong as young,
only the albino body failing. 

Where the smother clusters pinpoint insights clear.
The tennis is over. The last words are here?
What, in the world, will they be? 
White is the hue of death & victory,
all the old generosities dismissed
while the white years insist. 

– John Berryman, from His Toy, His Dream, His Rest (1969)