 |
| Giovanni Antonio Fasolo Family Group ca. 1565 oil on canvas John and Mable Ringling Museum of Art, Sarasota, Florida |
 |
| Giovanni Antonio Fasolo Portrait of Father and Son before 1572 oil on canvas Palazzo Rosso, Musei di Strada Nuova, Genoa |
-private-collection.jpg) |
| Giovanni Antonio Fasolo Portrait of Father and Son 1567 oil on canvas private collection |
 |
| Giovanni Antonio Fasolo Portrait of a Lady ca. 1564-70 oil on canvas Art Institute of Chicago |
 |
| Marguerite Gérard Portrait Study of a Young Woman ca. 1785 drawing British Museum |
 |
| Marguerite Gérard The Hussar and his Family ca. 1800 oil on canvas Denver Art Museum |
 |
| Marguerite Gérard after Jean-Honoré Fragonard The Child and the Bulldog 1778 etching Metropolitan Museum of Art, New York |
 |
| Marguerite Gérard after Jean-Honoré Fragonard To the Genius of Franklin 1778 etching Metropolitan Museum of Art, New York |
-1998-watercolor-on-paper-Los-Angeles-County-Museum-of-Art.jpg) |
| Ed Garman Untitled no. 1296 (To Coreva) 1998 watercolor on paper Los Angeles County Museum of Art |
 |
| Ed Garman Untitled no. 303 1943 oil on panel Los Angeles County Museum of Art |
 |
| Ed Garman No. 265 1942 oil on panel North Carolina Museum of Art, Raleigh |
 |
| Ed Garman No. 260 1942 oil on panel Smithsonian American Art Museum, Washington DC |
-National-Gallery-of-Australia-Canberra.jpg) |
| Anonymous Russian Typographer 500 New Witticisms and Puns by Pushkin 1924 lithograph (book cover) National Gallery of Australia, Canberra |
 |
| Anonymous Russian Artist Statistical Chart of Workers' Increase 1930 lithograph Nasher Museum of Art, Durham, North Carolina |
-Nasher-Museum-of-Art-Durham-North-Carolina.jpeg) |
| Anonymous Russian Artist Tsarist Servants in Modern Dress 1930 lithograph (poster) Nasher Museum of Art, Durham, North Carolina |
 |
| Anonymous Russian Artist World Map ca. 1930 lithograph Nasher Museum of Art, Durham, North Carolina |
Thanksgiving
They have come again to graze the orchard,
knowing they will be denied.
The leaves have fallen: on the dry ground
the wind makes piles of them, sorting
all it destroys.
What doesn't move, the snow will cover.
It will give them away; their hooves
makes patterns which the snow remembers.
In the cleared field, they linger
as the summoned prey whose part
is not to forgive. They can afford to die.
They have their place in the dying order.
– Louise Glück (1980)