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| Julian Schnabel Vallanzasca, Italian Hero 1978 oil on canvas Hall Collection, Schloss Derneburg, Germany |
-Portrait-of-Dr.-Caligari-1980-oil-and-cowhide-on-velvet-Hirshhorn-Museum-Washington-DC.jpg) |
| Julian Schnabel Insane Authority - Portrait of Dr. Caligari 1980 oil and cowhide on velvet Hirshhorn Museum, Washington DC |
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| Julian Schnabel Homo Painting 1981 oil on velvet Tate Modern, London |
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| Hans Namuth Julian Schnabel 1981 C-print National Portrait Gallery, Washington DC |
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| Julian Schnabel Hope 1982 oil on velvet Whitney Museum of American Art, New York |
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| Julian Schnabel Humanity Asleep 1982 oil and ceramic fragments on panel Tate Modern, London |
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| Julian Schnabel Portrait of Andy Warhol 1982 oil on velvet Hirshhorn Museum, Washington DC |
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| Julian Schnabel Private School in California 1984 oil and modeling paste on velvet Dallas Museum of Art |
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| Julian Schnabel The Wind 1985 spray enamel and modeling paste on tarpaulin Art Institute of Chicago |
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| Julian Schnabel Spain 1986 oil and ceramic fragments on panel Guggenheim Museum, Bilbao |
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| Julian Schnabel Untitled 1988 oil and collage on paper Dallas Museum of Art |
-1989-oil-paint-and-gesso-on-velvet-National-Gallery-of-Australia-Canberra.jpg) |
| Julian Schnabel Untitled (Fox Farm) 1989 oil and gesso on velvet National Gallery of Australia, Canberra |
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| Julian Schnabel Untitled 1991 oil, resin and screenprint on tarpaulin Whitney Museum of American Art, New York |
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| Julian Schnabel Olatz Lopez 1992 screenprint Whitney Museum of American Art, New York |
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| Julian Schnabel Fakires 1993 oil and resin on tarpaulin Guggenheim Museum, Bilbao |
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| Julian Schnabel Adieu 1996 oil and resin on canvas Smithsonian American Art Museum, Washington DC |
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| Julian Schnabel Versions of Chuck 2 2003 oil on canvas Hall Collection, Schloss Derneburg, Germany |
Soracte [Ode Nine]
One dazzling mass of solid snow
Soracte stands; the bent woods fret
Beneath their load; and, sharpest-set
With frost, the streams have ceased to flow.
Pile on great faggots and break up
The ice: let influence more benign
Enter with four-years-treasured wine,
Fetched in the ponderous Sabine cup.
Leave to the Gods all else. When they
Have once bid rest the winds that war
Over the passionate seas, no more
Gray ash and cypress rock and sway.
Ask not what future suns shall bring:
Count to-day gain, whate'er it chance
To be: nor, young man, scorn the dance,
Nor deem sweet Love an idle thing,
Ere Time thy April youth had changed,
To sourness. Park and public walk
Attract thee now, and whispered talk
At twilight meetings pre-arranged;
Hear how the pretty laugh that tells
In what dim corner lurks thy love;
And snatch a bracelet or a glove
From wrist or hand that scarce rebels.
– Horace (65-8 BC), translated by C.S. Calverley (1866)