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Per Christian Brown Material Colors I 2015 C-print KORO (Public Art Norway), Oslo |
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Josef Albers Study for Homage to the Square: Evident 1960 oil on panel Moderna Museet, Stockholm |
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James Rosenquist A Pale Angel's Halo 1973 screenprint and lithograph Göteborgs Konstmuseum |
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Jacques Villon Composition in Yellow and Blue 1921 oil on canvas Moderna Museet, Stockholm |
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Roman Cieslewicz Superman - CCCP-USA 1968 lithograph Moderna Museet, Stockholm |
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François Fontaine Fuite No. 2 1988-89 oil on canvas Musée des Beaux-Arts de Pau |
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Moritz Michael Daffinger Crown Imperial ca. 1830-40 watercolor on paper Belvedere Museum, Vienna |
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André Bermond Menton - Azur et Or ca. 1958 lithograph (poster) Röhsska Museet, Göteborg |
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Karl Andersson Still Life 1940 oil on canvas Göteborgs Konstmuseum |
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Gert Marcus Untitled ca. 1970 screenprint Moderna Museet, Stockholm |
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Per Formo Coat of Arms 2 2004 acrylic paint on shaped wooden panel KORO (Public Art Norway), Oslo |
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Max Bilde Figuration 1968 screenprint Moderna Museet, Stockholm |
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Anders Beckman Swedish Design Today 1949 lithograph (poster) Röhsska Museet, Göteborg |
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Jan Toorop Fisherman 1900 lithograph (poster) Kunstbibliothek, Staatliche Museen zu Berlin |
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Fritz Rumpf Rudolf Herrmann - Three New Soaps ca. 1910 lithograph (poster) Kunstbibliothek, Staatliche Museen zu Berlin |
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Curt Behrends Deutsches Stadion (Dedication Ceremony) 1913 lithograph (poster) Kunstbibliothek, Staatliche Museen zu Berlin |
Theagenes whispered to Charikleia: "Obviously, my love, you will tell the king the truth about us. This is indeed Hydaspes, who you have often told me is your father."
But Charikleia replied: "My darling, great ends can only be achieved by means of equal greatness. A story whose beginnings heaven has made convoluted cannot be quickly resolved. In particular it may be dangerous to reveal abruptly things that the passing years have made obscure, especially when the central figure of our entire story, the key to the whole tangled web of complexity and recognition, is missing. I refer, of course, to my mother, Persinna, whom we know to be yet living, by heaven's grace."
"But what if we are sacrificed before we see her?" interrupted Theagenes. "What if we are given away as booty of war and so prevented from ever reaching Ethiopia?"
– Heliodorus, from The Aethiopica, or, Theagenes and Charikleia (3rd or 4th century AD), translated from Greek by J.R. Morgan (1989)