Tuesday, September 16, 2025

Shaped to Adorn

Julius Mante
Ideal Head of an American
ca. 1890
oil on panel
Alte Nationalgalerie, Staatliche Museen zu Berlin

Nicolas de Largillière
La belle Strasbourgeoise
1703
oil on canvas
Musée des Beaux-Arts de Strasbourg

Lié-Louis Périn
Portrait of military surgeon Jean-Baptiste Duquenelle
ca. 1795
oil on canvas
Musée des Beaux-Arts de Reims

Johann Kaspar Heilmann
Self Portrait
ca. 1748
oil on canvas
Musée des Beaux-Arts de Mulhouse

Alfred Cheney Johnston
Lady in Green Velvet
ca. 1930-40
carbro print
Amon Carter Museum, Fort Worth, Texas

August Sander
Soldier
ca. 1940
gelatin silver print
Moderna Museet, Stockholm

Hippolyte Berteaux
La Bretonne
1900
oil on canvas
Musée du Château des ducs de Bretagne, Nantes

Anonymous German Artist
Portrait of Margarethe von der Saale
1539
oil on canvas
Museumslandschaft Hessen Kassel

Giambattista Tiepolo
Head of Turbaned Man
1760
drawing
Nelson-Atkins Museum of Art, Kansas City, Missouri

Harald Sohlberg
Girl with Hat
ca. 1890
drawing
Nasjonalmuseet, Oslo

Tom Kosmo
The Experiment
2009
mezzotint
KORO (Public Art Norway), Oslo

Joseph-Laurent Bouvier
The Egyptian
ca. 1868
oil on canvas
(exhibited at the Paris Salon of 1869)
Musée de Grenoble

Lovis Corinth
Merchant and art collector Arthur Kraft
costumed as Cesare Borgia

1914
oil on canvas
Alte Nationalgalerie, Staatliche Museen zu Berlin

Joseph Edward von Gillern
Portrait of Frau Manheimer
1824
oil on canvas
Alte Nationalgalerie, Staatliche Museen zu Berlin

Jan van Eyck
Portrait of Margareta van Eyck
1439
oil on panel
(earliest surviving portrait of an artist's spouse)
Groeninge Museum, Bruges

Jean-Léon Gérôme
Tête de Femme coiffée de Cornes de Bélier
1853
oil on canvas
Musée des Beaux-Arts de Nantes

Chorus:

And at first I would say that what came
to Ilium's city was a spirit
of windless calm,
a gentle adornment of wealth,
a soft glance darted from the eyes,
a flower of love to pierce the soul.
But she swerved aside and brought about
a bitter end to the marriage,
having come to the family of Priam
as an evil settler, an evil companion,
sent by Zeus god of hospitality,
a Fury who made brides weep.

There is a hoary saying, long spoken among mankind,
that a man's prosperity,
ripened and grown great,
has offspring and does not die childless,
that from his good fortune there springs
insatiable woe for his family.
But I differ from others, and have a belief of my own:
it is the impious deed
that breeds more to follow,
resembling their progenitors:
for a house that keeps the straight path of justice
breeds a fortune that is always fair.

– Aeschylus, from Agamemnon (458 BC), translated by Alan H. Sommerstein (2008)