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| Giulio della Torre Youth riding Pegasus (reverse of portrait medallion) ca. 1519 bronze British Museum |
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| Jacob van der Ulft Capriccio of Classical Ruins ca. 1645 drawing (print study) British Museum |
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| Mary Delany Pancratium Maritimum 1778 collage, watercolor and gouache on paper British Museum |
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| William Young Ottley Study of Sarcophagus with Bacchus and Ariadne 1792 drawing British Museum |
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| Louis-Roland Trinquesse Portrait of Baron Jean-Pierre de Batz (Royalist during the French Revolution) ca. 1790-95 drawing (counterproof of lost original) British Museum |
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| Wilhelm Tischbein Heads of the Seven Principal Heroes of the Iliad 1796 etching and engraving British Museum |
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| Thomas Uwins Festa in Naples 1825 drawing British Museum |
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| Karl Gussow The Kitten 1876 oil on panel Walker Art Gallery, Liverpool |
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| Robert Delaunay Fenêtres ouvertes simultanément 1ère partie 2ème motif 1912 oil on canvas Guggenheim Museum, New York |
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| Amédée Ozenfant Glasses and Bottles ca. 1922-26 oil on canvas Tate Modern, London |
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| Adolph Dehn Nine Whores 1927 lithograph Whitney Museum of American Art, New York |
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| Oscar Droege Birches in Winter ca. 1935 color woodblock print Wichita Art Museum, Kansas |
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| Paul Outerbridge McCall's Cheese 1936 tricolor carbro print National Museum of American History, Washington DC |
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| Enrico Donati Galera Romana 1945 oil on canvas Blanton Museum of Art, Austin, Texas |
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| Gordon Onslow-Ford Fixed Flight 1946 oil on canvas Los Angeles County Museum of Art |
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| Stanley Freborg Painting ca. 1958-59 oil on canvas Chrysler Museum of Art, Norfolk, Virginia |
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| Gérard Titus-Carmel La Fenêtre en contre plongée, Le Ciel ca. 1970-72 gelatin silver print National Gallery of Australia, Canberra |
Upon Castara's Departure
Vows are vain. No suppliant breath
Stays the speed of swift-heeled death.
Life with her is gone, and I
Learn but a new way to die.
See the flowers condole, and all
Wither in my funeral.
The bright lily, as if day
Parted with her, fades away.
Violets hang their heads, and lose
All their beauty. That the rose
A sad part in sorrow bears,
Witness all those dewy tears,
Which as pearl, or diamond-like,
Swell upon her blushing cheek.
All things mourn, but oh behold
How the withered marigold
Closeth up now she is gone,
Judging her the setting sun.
– William Habington (1634)
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