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| Anonymous German Printmaker Demon tormenting Praying Monks with Flames ca. 1475 hand-colored woodcut Herzog August Bibliothek, Wolfenbüttel |
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| Israel van Meckenem Man of Sorrows in the Tomb ca. 1480 engraving Herzog Anton Ulrich Museum, Braunschweig |
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| Melchior Küsel after Johann Wilhelm Baur Ascalaphus spying Proserpina eating Pomegranate Seeds in Hades 1670 etching Herzog Anton Ulrich Museum, Braunschweig |
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| Johann August Nahl the Younger Orpheus and Eurydice 1807 oil on canvas Museumslandschaft Hessen Kassel |
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| Evariste Vital Luminais Psyche among the Shades 1886 oil on canvas Musée des Beaux-Arts de Nantes |
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| Alessandro Sanguinio Catafalque of Franz I in Milan Cathedral 1835 hand-colored lithograph Graphische Sammlung Albertina, Vienna |
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| Claude Mellan Adam and Eve at the Foot of the Cross ca. 1647 engraving Kupferstichkabinett, Staatliche Kunstsammlungen, Dresden |
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| Salvator Rosa Christ driving Demons from Possessed Man ca. 1662 drawing (study for painting) Städel Museum, Frankfurt |
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| Albrecht Altdorfer Christ in Limbo ca. 1513-14 woodcut Herzog Anton Ulrich Museum, Braunschweig |
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| Albrecht Dürer The Rider Death and the Devil 1513 engraving Herzog Anton Ulrich Museum, Braunschweig |
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| Ernst Ludwig Kirchner Couple scrutinized by Hostile Crowd 1924 oil on canvas Hamburger Kunsthalle |
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| Lorenzo Lotto Portrait of Friar Angelo Ferretti as St Peter Martyr 1549 oil on canvas Harvard Art Museums |
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| Félix Bracquemond Le Corbeau ca. 1870 etching (published in the Parisian weekly, L'Artiste) Cabinet d'Arts Graphiques des Musées d'Art et d'Histoire, Genève |
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| Ragnar Ljungman King Herod 1904 drawing Göteborgs Konstmuseum, Sweden |
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| Johann Moritz Rugendas View into a Glowing Crater ca. 1831-34 oil on board Kupferstichkabinett, Staatliche Museen zu Berlin |
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| Gene Owens Cinder Sun 1964 bronze Amon Carter Museum, Fort Worth, Texas |
Just now, as I was passing the place where they make garlands, I saw a boy interweaving flowers with a bunch of berries. Nor did I pass by unwounded, but standing by him I said quietly, "For how much will you sell me your garland?" He grew redder than his roses, and turning down his head said, "Go right away in case my father sees you." I bought some wreaths as a pretence, and when I reached home crowned the gods, beseeching them to grant me him.
Seek not to hide our love, Philocrates; the god himself without that hath sufficient power to trample on my heart. But give me a taste of a blithe kiss. The time shall come when thou shalt beg such favour from others.
Unhappy they whose life is loveless; for without love it is not easy to do aught or to say aught. I, for example, am now all too slow, but were I to catch sight of Xenophilus I would fly swifter than lightning. Therefore I bid all men not to shun but to pursue sweet desire; Love is the whetstone of the soul.
I am not yet two and twenty, and life is a burden to me. Ye Loves, why thus maltreat me; why set me afire? For if I perish, what will you do? Clearly, Loves, you will play, silly children, at your knuckle-bones as before.
I am down; set thy foot on my neck, fierce demon. I know thee, yea by the gods, yea heavy art thou to bear: I know, too, thy fiery arrows. But if thou set thy torch to my heart, thou shalt no longer burn it; already it is all ash.
Child of Leto, son of Zeus the great, who utterest oracles to all men, thou art lord of the sea-girt height of Delos; but the lord of the land of Cecrops is Echedemus, a second Attic Phoebus whom soft-haired Love lit with lovely bloom. And his city Athens, once mistress of the sea and land, now has made all Greece her slave by beauty.
Child of Leto, son of Zeus the great, who utterest oracles to all men, thou art lord of the sea-girt height of Delos; but the lord of the land of Cecrops is Echedemus, a second Attic Phoebus whom soft-haired Love lit with lovely bloom. And his city Athens, once mistress of the sea and land, now has made all Greece her slave by beauty.
– from Book XII (Strato's Musa Puerilis) in the Greek Anthology, translated and edited by W.R. Paton (1917)







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