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| Jean-Raymond-Hippolyte Lazerges Reverie 1883 oil on canvas Musée d'Art et d'Histoire de Narbonne |
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| Roman Egypt Mummy Portrait of Woman AD 125-150 encaustic on wood Museum of Fine Arts, Budapest |
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| Adam von Bartsch Self Portrait 1785 etching Kupferstichkabinett, Kunstsammlungen der Veste Coburg |
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| Franz Xaver Winterhalter Portrait of Franziska, Prinzessin Biron von Kurland 1850 oil on canvas Deutsches Historisches Museum, Berlin |
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| Marie Bracquemond Self Portrait cga. 1870 oil on canvas Musée des Beaux-Arts de Rouen |
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| Antonio Pazzi after Giovanni Domenico Campiglia Portrait of artist Christian Seybold ca. 1730 engraving Staatliche Graphische Sammlung, Munich |
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| Fernand Cormon Portrait of Mademoiselle Rochefort de Woogt ca. 1900 oil on canvas Musée Toulouse-Lautrec, Albi |
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| Pierre-Paul Prud'hon Portrait of Louis-Antoine de Saint-Just 1793 oil on canvas Musée des Beaux-Arts de Lyon |
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| Claude Mellan Self Portrait ca. 1642 engraving Kupferstichkabinett, Kunstsammlungen der Veste Coburg |
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| Jules-Emmanuel Valadon Portrait of Émile-Joseph Rignault 1894 oil on canvas Musée Calvet, Avignon |
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| Wilhelm Schadow Portrait of Wilhelmine Luise, Princess of Prussia ca. 1840 oil on canvas Anhaltische Gemäldegalerie, Dessau |
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| Wenceslaus Hollar Portrait of a Woman 1636 etching Herzog Anton Ulrich Museum, Braunschweig |
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| Ottavio Leoni Self Portrait 1625 etching and engraving Staatliche Graphische Sammlung, Munich |
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| Giovanni Battista Betti after Ignazio Enrico Hugford Portrait of artist Jacopo da Empoli ca. 1775 engraving Bibliotheca Hertziana, Rome |
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| Dirck Dircksz Santvoort Portrait of a Woman ca. 1635-40 oil on panel Musée Fabre, Montpellier |
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| Anders Zorn Portrait of arts patron Pontus Fürstenberg 1898 oil on canvas Göteborgs Konstmuseum, Sweden |
On a Picture of Pan – This, our dearest one, is the issue of the loins of Zeus himself and the cloud over his head testifies to it. For Zeus the cloud-gatherer begot Hermes the King, and Hermes begot Pan the goat-herd.
On the Statue of Pan created by Miltiades – The walker in the woods, the lover of the trees, the spouse of Echo who dwells on the hills, I, Pan, the scout, the keeper of the horned flock of sheep, Pan with the shaggy legs, the fruitful god, I who, leaving my home, ran to meet the warlike Assyrians in battle, fellow-soldier and pursuer of the Persians, in return for my unsummoned succour. Let others stand on citadels, but Marathon, which slew the Medes, is the common portion of myself and the men who fought at Marathon.
On a Statue of Pan – I am the country-folk's god. Why do you shed for me offerings from cups of gold, and pour me out strong Italian wine, and bind to the stone the curved necks of bulls? Spare your pains; I take no pleasure in such sacrifices. I, Pan, the dweller on the mountains, carved from a tree-trunk, am a feaster on mutton, and drink my must from a bowl of clay.
On a Picture of unarmed Artemis – A. "Artemis, where are thy bow and the quiver that hung from thy neck? Where are thy Cretan hunting-boots and the buckle wrought of gold that gathers up thy purple robe as high as thy knee?" B. "That is the armour I don for the chase, but to my sacrifices I go as I am, to meet the holy incense cloud."
On a Statue of Hermes by the Roadside – Men who pass by me have heaped up a pile of stones sacred to Hermes, and I, in return for their small kindness, give them no great thanks, but only say that it is seven stadia more to Goat Fountain.
– from Book XVI (Epigrams of the Planudean Anthology) in the Greek Anthology, translated and edited by W.R. Paton (1918)