![]() |
| Olga Rozanova Non-Objective Composition (Suprematism) 1916-17 oil on canvas State Tretyakov Gallery, Moscow |
![]() |
| Kurt Schwitters Composition 1936 collage on paper Moderna Museet, Stockholm |
![]() |
| Georges Valmier Still Life with Geometric Forms I 1919 oil on canvas Kröller-Müller Museum, Otterlo, Netherlands |
![]() |
| Lyubov Popova Untitled 1917 color linocut Cabinet d'Arts Graphiques des Musées d'Art et d'Histoire, Genève |
![]() |
| Wiener Porzellanmanufaktur Design for Decorative Border ca. 1800 gouache on paper Museum für Angewandte Kunst, Vienna |
![]() |
| Piet Mondrian Rhythm in Straight Lines 1937-42 oil on canvas Kunstsammlung Nordrhein-Westfalen, Düsseldorf |
![]() |
| Ivan Klyun Suprematist Composition 1922 watercolor on paper Graphische Sammlung Albertina, Vienna |
![]() |
| Marsden Hartley Provincetown Abstraction 1916 oil on board Amon Carter Museum, Fort Worth, Texas |
![]() |
| Wassily Kandinsky Composition 1924 gouache on paper Musée d'Art Moderne et Contemporain de Strasbourg |
![]() |
| Juan Gris Still Life with White Cloud 1921 oil on canvas Hamburger Kunsthalle |
![]() |
| Kasimir Malevich Supremas No. 38 1916 oil on canvas Museum Ludwig, Cologne |
![]() |
| Chris Beekman Young Women with Umbrella 1917-18 oil on canvas Kröller-Müller Museum, Otterlo, Netherlands |
![]() |
| Roy Lichtenstein Modern Painting with Classic Head ca. 1967 screenprint Moderna Museet, Stockholm |
![]() |
| Oskar Kokoschka Geneviève de Brabant 1908 watercolor on paper (postcard design for Wiener Werkstätte) Kunsthalle Mannheim |
![]() |
| Pierre-Albert Bégaud Académie ca. 1925 drawing Musée des Beaux-Arts de Bordeaux |
![]() |
| Egon Schiele Self Portrait Crouching 1913 drawing, with added gouache Moderna Museet, Stockholm |
The same winter also the Athenians hallowed the isle of Delos, by the admonition indeed of a certain oracle. For Pisistratus also, the tyrant, hallowed the same before; not all, but only so much as was within the prospect of the temple. But now they hallowed it all over in this manner. They took away all sepulchres whatsoever of such as had died there before, and for the future made an edict that none should be suffered to die nor any woman to bring forth child in the island; but when they were near their time, either of the one or the other, they should be carried over into Rheneia. This Rheneia is so little a way distant from Delos that Polycrates, the tyrant of Samos, who was once of great power by sea and had the dominion of the other islands, when he won Rheneia dedicated the same to Apollo of Delos, tying it unto Delos with a chain. And now after the hallowing of it, the Athenians instituted the keeping, every fifth year, of the Delian games. There had also in old time been great concourse in Delos, both of Ionians and of the islanders around about. For they then came to see the games, with their wives and children, as the Ionians do now the games of Ephesus. There were likewise matches set of bodily exercise and of music; and the cities did severally set forth dances. Which things to have been so, is principally declared by Homer . . .
– from The Peloponnesian War as written by Thucydides (5th century BC) and translated by Thomas Hobbes (1628) and edited by David Grene (1959)
-1916-17-oil-on-canvas-State-Tretyakov-Gallery-Moscow.jpg)












-Kunsthalle-Mannheim.jpg)

