Sunday, September 20, 2026

Pattern Making

Roman Empire
Sarcophagus panel with Cupids
2nd-3rd century AD
marble relief
Ashmolean Museum, Oxford

Patanazzi Family (Urbino)
Plate
ca. 1580-1610
maiolica
British Museum

Jean Le Pautre
Design for Trophy of Arms with Putti
ca. 1675
engraving
Museum für Angewandte Kunst, Vienna

Wiener Porzellanmanufaktur
Design for Decorative Border
ca. 1800
gouache on paper
Museum für Angewandte Kunst, Vienna

W. Sodoma
Design for Printed Pattern
ca. 1865
gouache on paper
Museum für Angewandte Kunst, Vienna

Walter Crane
Alcestis
1875
color-printed wood-engraving
(ornamental frieze)
Kunstbibliothek, Staatliche Museen zu Berlin

Claude Monet
Water Lilies
1904
oil on canvas
Musée d'Art Moderne André Malraux, Le Havre

Jan Voerman the Elder
White Azaleas in Blue Ginger Jars
ca. 1910
watercolor on paper
Museum de Fundatie, Zwolle, Netherlands

Rudolf Junk
Invitation Card to Art Exhibition
1912
color woodblock print and letterpress
Graphische Sammlung Albertina, Vienna

Paul Klee
Hauptweg und Nebenwege
1929
oil on canvas
Museum Ludwig, Cologne

Charles-Alexandre Mairet
Ex-Libris - Bernard-André Pfeiffer
1944
color woodblock print
Cabinet d'Arts Graphiques
des Musées d'Art et d'Histoire, Genève

Adolph Gottlieb
Alchemist (Red Portrait)
1945
oil on canvas
Institut Valencià d'Art Modern

Ad Reinhardt
Brick Painting
1950
oil on canvas
Institut Valencià d'Art Modern

Larry Rivers
Camels
ca. 1962
oil on canvas
Fitzwilliam Museum, Cambridge

Jaap van den Ende
Untitled
1987
oil on canvas
Museum de Fundatie, Zwolle, Netherlands

Agnes van den Brandeler
Plant Motif
1999
oil on canvas
Museum de Fundatie, Zwolle, Netherlands

Cleopatra                               Go, leave me, soldier,
     For you're no more a lover, leave me dying: 
     Push me all pale and panting from your bosom,
     And when your march begins, let one run after,
     Breathless almost for joy, and cry, 'She's dead.'
     The soldiers shout; you then perhaps may sigh,
     And muster all your Roman gravity.
     Ventidius chides, and straight your brow clears up,
     As I had never been.

Antony                          Gods, 'tis too much,
     Too much for man to bear!

Cleopatra                               What is't for me, then.
     A weak, forsaken woman, and a lover? –
     Here let me breathe my last: envy me not
     This minute in your arms; I'll die apace,
     As fast as e'er I can, and end your trouble.

Antony
     Die? Rather let me perish! Loosened Nature
     Leap from its hinges; sink the props of Heaven,
     And fall the skies to crush the nether world!
     My eyes, my soul, my all! –                           (Embraces her)

Ventidius                                   And what's this toy
     In balance with your fortitude, honour, fame?

– John Dryden, All for Love (1677)