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| Diego Rivera Portrait of John Dunbar 1931 oil on canvas Los Angeles County Museum of Art |
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| Diego Rivera Huts 1929 oil on canvas Los Angeles County Museum of Art |
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| Diego Rivera Blue Boy with Banana 1931 oil on canvas Norton Simon Museum, Pasadena |
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| Diego Rivera Two Women 1914 oil on canvas Arkansas Museum of Fine Arts, Little Rock |
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| Julius Schnorr von Carolsfeld Portrait of a Young Woman 1821 drawing Kupferstichkabinett, Staatliche Kunstsammlungen, Dresden |
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| Julius Schnorr von Carolsfeld Half-Length Study of Model ca. 1825-26 drawing National Gallery of Canada, Ottawa |
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| Julius Schnorr von Carolsfeld Académie 1822 drawing Kupferstichkabinett, Staatliche Museen zu Berlin |
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| Julius Schnorr von Carolsfeld Jacob and Rachel at the Well 1826 drawing (study for Bible illustration) Kupferstichkabinett, Staatliche Kunstsammlungen, Dresden |
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| Edward Burne-Jones Drapery Study 1888 drawing Wichita Art Museum, Kansas |
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| Edward Burne-Jones Drapery Study for Angel of the Annunciation 1878 gouache on paper National Gallery of Canada, Ottawa |
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| Edward Burne-Jones Study for the Head of Nimue ca. 1872-73 watercolor and gouache on paper Delaware Art Museum, Wilmington |
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| Edward Burne-Jones The Prioress's Tale ca. 1869 watercolor and gouache on paper, mounted on linen Delaware Art Museum, Wilmington |
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| Pietro Testa Figure Studies ca. 1640 drawing Musée des Beaux-Arts de Lyon |
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| Pietro Testa St Roch and St Nicholas interceding with the Virgin for Plague Victims ca. 1630-31 etching National Gallery of Victoria, Melbourne |
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| Pietro Testa Justitia and Caritas (allegorical figures) before 1650 drawing Graphische Sammlung Albertina, Vienna |
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| Pietro Testa St Michael Archangel before 1650 drawing National Gallery of Canada, Ottawa |
from Part Two of The Age of Anxiety
Quant said:
With diamonds to offer,
A cleaned tycoon in a cooled office,
I smiled at a siren with six breasts,
Leaning on leather, looking up at
Her righteous robber, her Robin Hood,
Her plump prince. All the public could see
Was a bus-boy brushing a table,
Sullen and slight.
A cleaned tycoon in a cooled office,
I smiled at a siren with six breasts,
Leaning on leather, looking up at
Her righteous robber, her Robin Hood,
Her plump prince. All the public could see
Was a bus-boy brushing a table,
Sullen and slight.
Rosetta said:
In my sixteenth year
Before sleeping I fancied nightly
The house on the headland I would own one day.
Its long windows overlooked the sea
And its turf terrace topped a sunny
Sequestered cove. A corkscrew staircase
From a green gate in the garden wall
Descended the cliff, the sole entrance
Before sleeping I fancied nightly
The house on the headland I would own one day.
Its long windows overlooked the sea
And its turf terrace topped a sunny
Sequestered cove. A corkscrew staircase
From a green gate in the garden wall
Descended the cliff, the sole entrance
To my beach where bathers basked beside
The watchet waves. Though One was special,
All forms were friends who freely told their
Secrets to me; but, safe in my purse
I kept the key to the closet where
A sliding panel concealed the lift,
Known to none, which at night would take me
Down through the dark to my dock below,
A chamber chiselled in the chalk hill,
Private and perfect; thence, putting forth
Alone in my launch through a low tunnel
Out to the ocean, while all others slept,
Smiling and singing I sailed till dawn,
The watchet waves. Though One was special,
All forms were friends who freely told their
Secrets to me; but, safe in my purse
I kept the key to the closet where
A sliding panel concealed the lift,
Known to none, which at night would take me
Down through the dark to my dock below,
A chamber chiselled in the chalk hill,
Private and perfect; thence, putting forth
Alone in my launch through a low tunnel
Out to the ocean, while all others slept,
Smiling and singing I sailed till dawn,
Happy, hatless.
– W.H. Auden (1944-46)















