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| Peter Max Remembering the Flight 1970 screenprint Wichita Art Museum, Kansas |
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| Norman Orr Concerts at the Fillmore, San Francisco 1970 lithograph (poster) Delaware Art Museum, Wilmington |
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| Asger Jorn Untitled 1970 lithograph NSU Art Museum, Fort Lauderdale, Florida |
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| Philip Pearlstein Figure Seated on Rug with Mirror 1970 lithograph San Jose Museum of Art, California |
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| Alice Neel David Bourdon and Gregory Battcock 1970 oil on canvas Blanton Museum of Art, Austin, Texas |
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| Christo (Christo Javacheff) Wrapped Monument to Vittore Emanuele, Milan 1970 gelatin silver print Lowe Art Museum, University of Miami |
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| Franz Gertsch Portrait of artist Jean-Frédéric Schnyder 1970 lithograph Akron Art Museum, Ohio |
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| Robert Motherwell Alberti Suite no. 9 1970 polymer and acrylic on canvas Huntington Museum of Art, West Virginia |
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| Helen Frankenthaler Wind Directions 1970 pochoir North Carolina Museum of Art, Raleigh |
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| Richard Diebenkorn Ocean Park no. 29 1970 oil on canvas Dallas Museum of Art |
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| Andy Warhol Flowers 1970 lithograph Lowe Art Museum, University of Miami |
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| Frank Stella River of Ponds 1970 lithograph Wichita Art Museum, Kansas |
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| David Alfaro Siqueiros Woman in Jail 1970 lithograph NSU Art Museum, Fort Lauderdale, Florida |
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| Leonard Baskin Captain Ahab 1970 lithograph Tacoma Art Museum, Washington State |
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| Hans Zimmer Als es noch Menschen gab 1970 screenprint Blanton Museum of Art, Austin, Texas |
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| Larry Rivers Victims 1970 screenprint Lowe Art Museum, University of Miami |
We Too Had Known Golden Hours
We, too, had known golden hours
When body and soul were in tune,
Had danced with our true loves
By the light of a full moon,
And sat with the wise and good
As tongues grew witty and gay
Over some nobel dish
Out of Escoffier;
Had felt the intrusive glory
Which tears reserve apart.
And would in the old grand manner
Have sung from a resonant heart.
But, pawed-at and gossiped-over
By the promiscuous crowd,
Concocted by editors
Into spells to befuddle the crowd,
All words like Peace and Love,
All sane affirmative speech,
Had been soiled, profaned, debased
To a horrid mechanical screech.
No civil style survived
That pandemonium
But the wry, the sotto-voce,
Ironic and monochrome:
And where should we find shelter
For joy or mere content
When little was left standing
But the suburb of dissent?
– W.H. Auden (ca. 1950)
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