Thursday, August 20, 2026

Groups

George Segal
Rush Hour
1983
bronze
Nelson-Atkins Museum of Art, Kansas City, Missouri


Sodoma (Giovanni Antonio Bazzi)
Abduction of the Sabine Women
ca. 1505
oil on panel
Palazzo Barberini, Rome

Alex Webb
Wall Painting
(series, Mexican Border)
1978
gelatin silver print
Smithsonian American Art Museum, Washington DC

Jon Serl
Texas Scene
1975
oil on board
Smithsonian American Art Museum, Washington DC

Gustavo Simoni
Reception at the Prefecture
ca. 1902
ink and wash on paper
Clark Art Institute, Williamstown, Massachusetts

Arthur Segal
Untitled
1972
woodcut
Loeb Art Center, Vassar College, Poughkeepsie, New York

Caroline Walker
Theatre
2021
oil on linen
Scottish National Gallery of Modern Art, Edinburgh

Francesco Allegrini
Cavalry Skirmish
before 1663
drawing
British Museum

Ivan Shagin
The Sport Parade, Moscow, Red Square
1932
gelatin silver print
Fine Arts Museums of San Francisco (Achenbach Foundation)

Miron Sokole
Soldiers resting, Pacific Theater
before 1985
gouache on board
Loeb Art Center, Vassar College, Poughkeepsie, New York

Thomas Struth
Musée d'Orsay 1, Paris
1989
C-print
San Francisco Museum of Modern Art

Ansel Adams
Store Room, M.H. de Young Memorial Museum, San Francisco
ca. 1933
gelatin silver print
San Francisco Museum of Modern Art

Gaspare Venturini
Allegory of the House of Este
1592-93
oil on canvas
Galleria Estense, Modena

John Sloan
Yeats at Petitpas
(Irish painter John Butler Yeats in New York with Ashcan School painters)
ca. 1910
oil on canvas
National Gallery of Art, Washington DC

Underwood and Underwood (New York)
The Famous Monk Gregory Rasputin
ca. 1916
gelatin silver print
Museum of Modern Art, New York

Jean Alaux
Nicolas Poussin presented to Louis XIII by Cardinal Richelieu
1832
oil on plaster (mural)
Musée du Louvre

Herbert Singleton
Glad You Dead You Rascal You
ca. 1990
painted cypress relief
Smithsonian American Art Museum, Washington DC

from Hundred-Gated Thebes

Where is now the loud acclaim?
Where the trample and the roll,
Shaking staid Earth like a mole?
Sunk to a rush's sigh! – Farewell,
Thou bleached wilderness o'erblown
By treeless winds, unscythable
Sandbanks, with peeping rocks bestrown,
That for thy barrenness seem'st to be
The bed of some retreated sea!

– George Darley (1835)