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| Alice Baber Departure for Lavender (Lavender at the Turn) 1968 oil on canvas Lowe Art Museum, University of Miami |
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| Betty Hahn Kodak Tri-X Pan Film 1968 hand-colored gum bichromate print Akron Art Museum, Ohio |
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| Claude Flynn Howell The Beachcomber 1968 oil on canvas North Carolina Museum of Art, Raleigh |
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| Friedensreich Hundertwasser Skislope 1968 screenprint McNay Art Museum, San Antonio, Texas |
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| Duane Michals Lion Tamer 1968 gelatin silver print Art Institute of Chicago |
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| Lee Conklin Moby Grape at the Fillmore, San Francisco 1968 lithograph (poster) Delaware Art Museum, Wilmington |
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| Lee Conklin Procol Harum and Santana at the Fillmore, San Francisco 1968 lithograph (poster) Denver Art Museum |
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| Robert Indiana Number 5 1968 screenprint Delaware Art Museum, Wilmington |
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| Art Green Delicate Situation 1968 oil on canvas Akron Art Museum, Ohio |
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| Francis Celentano Alpha Diamond I 1968 oil on canvas Seattle Art Museum |
-Red-Series-(comma)-Untitled-III-1968-oil-on-panel-Norton-Simon-Museum-Pasadena-California.jpg) |
| Josef Albers Homage to the Square: Red Series, Untitled III 1968 oil on panel Norton Simon Museum, Pasadena, California |
-L'Oiseau-et-la-Terre-Fleurie-1968-oil-on-canvas-NSU-Art-Museum-Fort-Lauderdale-Florida.jpg) |
| Corneille (Guillaume Cornelis van Beverloo) L'Oiseau et la Terre Fleurie 1968 oil on canvas NSU Art Museum, Fort Lauderdale, Florida |
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| Helen Frankenthaler Adriatic 1968 oil on canvas Norton Simon Museum, Pasadena, California |
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| Walter De Maria Yellow Painting - The Color Men Choose When They Attack The Earth 1968 oil on canvas with stainless-steel plate Menil Collection, Houston |
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| Charles Cushman San Francisco Palace of Fine Arts - Restored Colonnade 1968 Kodachrome slide Indiana University Library, Bloomington |
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| Barbara Crane Shadow People 1968 gelatin silver print Norton Simon Museum, Pasadena, California |
Objects
All that which lies outside our sort of why,
Those wordless creatures who are there as well,
Remote from mourning yet in sight and cry,
Make time more golden than we meant to tell.
Tearless, their surfaces appear as deep
As any longing we believe we had;
If shapes can so to their own edges keep,
No separation proves a being bad.
There is less grief than wonder on the whole,
Even at sunset, though, of course we care
Each time the same old shadow falls across
One Person who is not: somewhere, a soul,
Light in her bestial substance, well aware,
Extols the silence of how soon a loss.
– W.H. Auden (1956)