Tuesday, March 24, 2015

A. van Dyck

Anthony van Dyck
Self-portrait
etching
c. 1630

The present-day location of this group of works by Anthony van Dyck (1599-1641) is New York City. The Metropolitan Museum was ultimately the chief of all beneficiaries when the great migration of European art to the New World occurred – during the first wave of omnivorous American Tycoonism  at the end of the nineteenth century.

The 'study heads' and 'studio exemplar' at the beginning of this group were less finished, more spontaneous oils executed by van Dyck from live models and then kept in the studio as reference figures for his own use and the use of his assistants when painting more finished pictures for the market.

Anthony van Dyck
Study head of young woman
c. 1618-20

Anthony van Dyck
Studio exemplar of Virgin & Child
c. 1620

Anthony van Dyck
Study head of old man
c. 1617-20

Anthony van Dyck
Portrait of a noblewoman, Genoa
c. 1622-25

Anthony van Dyck
Portrait of Lucas van Uffel
1622

Anthony van Dyck
Portrait of a man
c. 1616

Anthony van Dyck
Portrait of Robert Rich, Earl of Warwick
c. 1632-35

Anthony van Dyck
Portrait of James Stuart, Duck of Richmond
c. 1632-35

Anthony van Dyck
Study for equestrian portrait
c. 1628-32

Wenceslaus Hollar
Sir Anthony van Dyck 
(after a painted self-portrait)
Etching
c. 1644