Thursday, May 2, 2019

Fiasella, Borzone, Ansaldo - Seicento Painting in Genoa

Domenico Fiasella
Death of Meleager
ca. 1650
oil on canvas
Accademia Ligustica di Belle Arti, Genoa

Domenico Fiasella
Samson and Delilah
1650
oil on canvas
Musée du Louvre

Domenico Fiasella
St Lazzaro intercedes with the Virgin for the City of Sarzana
1616
oil on canvas
Chiesa di San Lazzaro, Sarzana

"The development of the early seventeenth-century native Genoese painters Bernardo Strozzi, Andrea Ansaldo (1584-1638), Domenico Fiasella (1589-1669), Luciano Borzone (1590-1645) and Gioacchino Assereto runs to a certain extent parallel.  They began traditionally enough: Fiasella and Strozzi deriving from Lomi, Paggi, and Sorri; Ansaldo from the mediocre Orazio Cambiaso, Luca's son; and Assereto from Ansaldo.  Toward the twenties these artists show the influence of the Milanese school, and only Fiasella, who had worked in Rome from 1607 to 1617, is really swayed by the Caravaggisti.  In the course of the third decade they all attempt to cast away the last vestiges of Mannerism and turn toward a freer, naturalistic manner, largely under the influence of Rubens and Van Dyck.  It should, however, be said that, lacking monographic treatment, neither Borzone nor Ansaldo and Fiasella are clearly defined personalities; it would seem that the prolific Fiasella, who lived longest and was much in fashion with the Genoese aristocracy, must be regarded as the least interesting and original of this group of artists."

– Rudolf Wittkower, Art and Architecture in Italy 1600-1750, originally published in 1958, revised by Joseph Connors and Jennifer Montagu and reissued by Yale University Press in 1999

Luciano Borzone
Samson and Delilah
before 1645
oil on canvas
Museo de Bellas Artes de Córdoba

Luciano Borzone
Portrait of a Man
before 1645
oil on canvas
Finnish National Gallery, Helsinki

Luciano Borzone
Rest on the Flight into Egypt
before 1645
oil on canvas
Victoria Art Gallery, Bath

Giovanni Andrea Ansaldo
Allegory of the Arts
before 1638
oil on canvas
Manchester Art Gallery

Giovanni Andrea Ansaldo
Herodias presented with the Head of John the Baptist by Salome
ca. 1630
oil on canvas
Musei di Strada Nuova, Genoa

Giovanni Andrea Ansaldo
The Deposition
ca. 1630
oil on canvas
Accademia Ligustica di Belle Arti, Genoa

Giovanni Andrea Ansaldo
Ecce Homo
before 1638
drawing
Museo del Prado, Madrid

Giovanni Andrea Ansaldo
Virgin and Child with St Anne
before 1638
drawing
Rijksmuseum, Amsterdam

Giovanni Andrea Ansaldo
Draped Figure of a Priest
before 1638
drawing
Rijksmuseum, Amsterdam

Giovanni Andrea Ansaldo
Soldiers in Battle
before 1638
drawing
National Gallery of Art, Washington DC

Giovanni Andrea Ansaldo
Crucifixion
before 1638
drawing
Morgan Library, New York