Sunday, May 24, 2020

River God

Roman Empire
Statue of a River God, known as Marforio
2nd-3rd century AD
marble
Musei Capitolini, Rome

"To Cavallini in the fourteenth century the statue [above] was the son of Mars ('filii Martis') which had been corrupted to Marfoli, but by the early fifteenth century its vulgar name was apparently Marforio. It was then that Flavio Biondo proposed that the statue had in fact nothing to do with Mars but represented Jove Panario (or of the Bakers), to whom an altar had been erected on the Capitol. He supposed the lumpy rocks by which the figure reclines to be the loaves which the Romans defending the Capitol pelted upon the besieging Gauls (hence deceiving them into supposing that they had an inexhaustible bread supply). This interpretation was challenged by Fulvio who, in 1527, proposed that the popular name Marforio was a corruption of Nar Fluvius, Nar being the Roman name for the river Nera, a tributary of the Tiber. This idea was prompted by Fulvio's recognition that the statue must be a river god – a class of antique statue unknown in the quattrocento."

– Francis Haskell and Nicholas Penny, Taste and the Antique (Yale University Press, 1981)

Anonymous Italian Artist
Antique Statues known as Marforio and Pasquino
1547
etching
Philadelphia Museum of Art

Antoine Lafréry (publisher)
Antique Statue of a River God, known as Marforio
1550
engraving
British Museum

Polidoro da Caravaggio
River God
before 1543
oil on canvas
Museum of Fine Arts, Boston

Giovanni Battista Scultori
River God
1538
engraving
Scottish National Gallery, Edinburgh

Anonymous Italian Artist
River God
17th century
oil on canvas
Temple Newsam House, Leeds, Yorkshire
 
Carle Vanloo
River God
before 1765
oil on canvas
Nationalmuseum, Stockholm

The River God

I may be smelly, and I may be old,
Rough in my pebbles, reedy in my pools,
But where my fish float by I bless their swimming
And I like the people to bathe in me, especially women.
But I can drown the fools
Who bathe too close to the weir, contrary to rules.
And they take a long time drowning
As I throw them up now and then in a spirit of clowning.
Hi yih, yippity-yap, merrily I flow,
O I may be an old foul river but I have plenty of go.
Once there was a lady who was too bold
She bathed in me by the tall black cliff where the water runs cold,
So I brought her down here
To be my beautiful dear.
Oh will she stay with me will she stay
This beautiful lady, or will she go away?
She lies in my beautiful deep river bed with many a weed
To hold her, and many a waving reed.
Oh who would guess what a beautiful white face lies there
Waiting for me to smooth and wash away the fear
She looks at me with. Hi yih, do not let her
Go. There is no one on earth who does not forget her
Now. They say I am a foolish old smelly river
But they do not know of my wide original bed
Where the lady waits, with her golden sleepy head.
If she wishes to go I will not forgive her.

– Stevie Smith (ca. 1950)

Anonymous Italian Artist
Replica of Antique River God (Tiber) at the Louvre, since seizure in Rome by Napoleon
ca. 1675-1700
terracotta statuette
Hermitage, Saint Petersburg

Charles Nègre
Antique River God (Tiber) at the Louvre (displayed in the Jardin des Tuileries)
1859
albumen silver print
Philadelphia Museum of Art

Jean-Nicolas Langier
Antique River God (Tiber) at the Louvre, after seizure in Rome by Napoleon
1816-18
etching and engraving
Philadelphia Museum of Art

Claude Randon
Antique River God (Tiber) in Rome, before seizure by Napoleon
ca. 1704
engraving
Philadelphia Museum of Art

Benedetto Pistrucci
Head of Antique River God (Nile) at the Vatican
ca. 1838
onyx cameo
Kunsthistorisches Museum, Vienna

Giovanni Volpato
Replica of Antique River God (Nile) at the Vatican
ca. 1785-96
porcelain
Metropolitan Museum of Art, New York

James Anderson
Antique River God (Nile) at the Vatican
ca. 1845-55
albumen silver print
Getty Museum, Los Angeles
 
Anonymous Photographer
Antique River God (Nile) at the Vatican
ca. 1880-1904
photograph
Rijksmuseum, Amsterdam