Friday, August 28, 2020

Post-Enlightenment Piety (Narratives and Figures)

John Jackson
St Peter
ca. 1815-16
oil on canvas
York City Art Gallery

David Scott
Nimrod
ca. 1832
oil on canvas
Glasgow Museums

James Sant
The Novice
1856
oil on canvas
Harris Museum and Art Gallery, Preston, Lancashire

William Mulready
The Lesson
ca. 1859
oil on panel
Victoria & Albert Museum, London

John Pettie
Head of St John
ca. 1870-80
oil on canvas
Middlesbrough Institute of Modern Art

Francis Augustus Lathrop
Study for Angel
ca. 1899
gouache and pastel
Cooper Hewitt, Smithsonian Design Museum

William Stott
The Entombment
ca. 1900
oil on canvas
Williamson Art Gallery and Museum, Birkenhead, Merseyside

Unit, like Death, for Whom?
True, like the Tomb,
Who tells no secret
Told to Him –
The Grave is strict –
Tickets admit
Just two – the Bearer – and the Borne –
And seat – just One –
The Living – tell –
The Dying – but a syllable –
The Coy Dead – None –
No Chatter – here – No Tea –
So Babbler, and Bohea – stay there –
But Gravity – and Expectation – and Fear –
A tremor just, that all's not sure.

– Emily Dickinson (1863)

William Stott
The Good Samaritan
1910
oil on canvas
Ferens Art Gallery, Kingston-upon-Hull

Charles Ricketts
The Deposition
ca. 1910
oil on canvas
Ashmolean Museum, Oxford

Charles Ricketts
The Deposition
ca. 1910
oil on canvas
Cartwright Hall Art Gallery, Bradford, Yorkshire

Charles Haslewood Shannon
The Wise and Foolish Virgins
1919-20
oil on canvas
Walker Art Gallery, Liverpool

Frank Brangwyn
The Prodigal Son
ca. 1952
oil on canvas
Royal Academy of Arts, London

Diana Cumming
The Flood
1954
oil on canvas
Southbank Centre, London

Patrick Hennessy
The Spanish Christ
ca. 1960
oil on canvas
Ulster Museum, Belfast

Joanna Price
Small Blue Pietà with Dogs
1992
oil on canvas
Rugby Art Gallery and Museum, Warwickshire