 |
| Gustav Friedrich Hetsch Loggia of San Lorenzo fuori le Mura, Rome ca. 1820 wash drawing Art Institute of Chicago |
 |
| Gustav Friedrich Hetsch Loggia in Rome ca. 1820 wash drawing Art Institute of Chicago |
 |
| Felice Giani after Dosso Dossi St George ca. 1821-22 drawing Cooper Hewitt, Smithsonian Design Museum |
 |
| Felice Giani after Sebastiano del Piombo The Flagellation ca. 1810-15 drawing Cooper Hewitt, Smithsonian Design Museum |
 |
| Fortunato Duranti Falsehood is the Cause of All Evil ca. 1835-45 drawing National Gallery of Art, Washington DC |
 |
| Fortunato Duranti Allegory of Truth and Falsehood ca. 1835-45 drawing National Gallery of Art, Washington DC |
 |
| Fortunato Duranti Kneeling Angel with Two Putti ca. 1820-25 drawing Philadelphia Museum of Art |
Till Death – is narrow Loving –
The scantest Heart extant
Will hold you till your privilege
Of Finiteness – be spent –
But He whose loss procures you
Such Destitution that
Your Life too abject for itself
Thenceforward imitate –
Until – Resemblance perfect –
Yourself, for His pursuit
Delight of Nature – abdicate –
Exhibit Love – somewhat –
– Emily Dickinson (1864)
 |
| David Wilkie Guess Who? 1821 drawing Art Institute of Chicago |
 |
| Dante Gabriel Rossetti Elizabeth Siddall reading ca. 1856 drawing Tate Britain |
 |
| Dante Gabriel Rossetti Fanny Cornforth 1859 drawing Tate Britain |
 |
| François Bonvin Boy with a Book ca. 1861 drawing Art Institute of Chicago |
 |
| Odilon Redon False Glory ca. 1880-90 drawing Art Institute of Chicago |
 |
| Edward Burne-Jones Study for The Beggar Maid ca. 1883-84 drawing Tate Britain |
 |
| Fernand Khnopff The Departure 1893 drawing Musée d'Ixelles, Brussels |
 |
| Auguste Rodin Figure Study ca. 1898 drawing, with watercolor private collection |