Wednesday, April 6, 2022

Giuliano Bugiardini (1475-1577) - Friend of Michelangelo

Giuliano Bugiardini
Portrait of a Florentine Lady
ca. 1515-25
oil on canvas
Museu Calouste Gulbenkian, Lisbon

Giuliano Bugiardini
Birth of St John the Baptist
1517-18
oil on canvas
Palazzo dei Musei, Modena

Giuliano Bugiardini
Birth of St John the Baptist (detail)
1517-18
oil on canvas
Palazzo dei Musei, Modena

Giuliano Bugiardini
Birth of St John the Baptist (detail)
517-18
oil on canvas
Palazzo dei Musei, Modena

Giuliano Bugiardini
Birth of St John the Baptist (detail)
1517-18
oil on canvas
Palazzo dei Musei, Modena

Giuliano Bugiardini
Portrait of Leonardo de' Ginori
ca. 1528
oil on panel
National Gallery of Art, Washington DC

Giuliano Bugiardini
Abduction of Dinah
ca. 1535
oil on canvas
Kunsthistorisches Museum, Vienna

Giuliano Bugiardini
St John the Baptist in the Desert
ca. 1523-25
oil on canvas
Pinacoteca Nazionale di Bologna

Giuliano Bugiardini
St John the Baptist in the Desert (detail)
ca. 1523-25
oil on canvas
Pinacoteca Nazionale di Bologna

Giuliano Bugiardini
The Story of Tobit
1536
oil on panel
Gemäldegalerie, Berlin

Giuliano Bugiardini
The Story of Tobit (detail)
1536
oil on panel
Gemäldegalerie, Berlin

Giuliano Bugiardini
The Story of Tobit (detail)
1536
oil on panel
Gemäldegalerie, Berlin

Giuliano Bugiardini
The Story of Tobit (detail)
1536
oil on panel
Gemäldegalerie, Berlin

Giuliano Bugiardini
The Story of Tobit (detail)
1536
oil on panel
Gemäldegalerie, Berlin

 ". . . Messer Ottaviano de' Medici  having besought Giuliano Bugiardini privately that he should take for him the portrait of Michelangelo Buonarroti, he set his hand to it; and, after he had kept Michelangelo, who used to take pleasure in his conversation, sitting for two hours, Giuliano said to him: 'Michelangelo, if you wish to see yourself, get up and look, for I have now fixed the expression of your face.'  Michelangelo, having risen and looked at the portrait, said to Giuliano, laughing: 'What the devil have you been doing? You have painted me with one of my eyes up in the temple. Give a little thought to what you are doing.'  Hearing this, Giuliano, after standing pensive for a while and looking many times from the portrait to the living model, answered in serious earnest: 'To me it does not seem so, but sit you down again, and I shall see a little better from the life whether it be true.'  Buonarotti, who knew whence the defect arose and how small was the judgment of Bugiardini, straightway resumed his seat, grinning.  And Giuliano looked many times now at Michelangelo and now at the picture, and then finally, rising to his feet, declared: 'To me it seems that the thing is just as I have drawn it, and that the life is in no way different.'  'Well, then,' answered Buonarroti, 'it is a natural deformity. Go on, and spare neither brush nor art.'  And so Giuliano finished the picture and gave it to Messer Ottaviano . . ."

– from Lives of the Painters, Sculptors and Architects by Giorgio Vasari (1568), translated by Gaston du C. de Vere (1912)

Giuliano Bugiardini
Virgin and Child
ca. 1518
oil on panel
Galleria degli Uffizi, Florence