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| Bernardino Poccetti Seated Male Figure ca. 1600-1610 drawing Getty Museum, Los Angeles |
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| Bernardino Poccetti Seated Male Figure before 1612 drawing Metropolitan Museum of Art, New York |
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| Bernardino Poccetti Half-Length Male Figure before 1612 drawing British Museum |
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| Bernardino Poccetti Portrait Study of Gengio Ferravecchio before 1612 drawing British Museum |
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| Bernardino Poccetti Female Figure in Spandrel (Study for Allegory of Modesty) ca. 1583-85 drawing Minneapolis Institute of Art |
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| attributed to Bernardino Poccetti Study of Female Figure before 1612 drawing (study for fresco) Royal Collection, Great Britain |
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| Bernardino Poccetti Study of a Dominican before 1612 drawing Metropolitan Museum of Art, New York |
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| Bernardino Poccetti Studies for Seated Figure with Shovel ca. 1603 drawing Metropolitan Museum of Art, New York |
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| Bernardino Poccetti Design for Pointed Utensil with Egyptian Figure as Handle before 1612 drawing Metropolitan Museum of Art, New York |
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| attributed to Bernardino Poccetti Attack on St Antoninus, and Attacker fleeing before 1612 drawing (study for lunette fresco) Royal Collection, Great Britain |
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| Bernardino Poccetti St Antoninus kneeling before the Crucifix ca. 1600-1605 drawing (study for lunette fresco) Metropolitan Museum of Art, New York |
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| Bernardino Poccetti St Philip Benizi converting two Wicked Women at the City of Todi ca. 1608-1609 drawing (study for lunette fresco) Metropolitan Museum of Art, New York |
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| Bernardino Poccetti Deaths of the Blessed Ugoccione and Sostegno ca. 1604-1612 drawing (study for lunette fresco) Getty Museum, Los Angeles |
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| attributed to Bernardino Poccetti Design for Wall Decoration with Prophets under Arches before 1612 drawing, with watercolor Royal Collection, Great Britain |
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| Bernardino Poccetti Study of the Farnese Hercules ca. 1604-1612 drawing Getty Museum, Los Angeles |
"Over fifty years after the artist's death, Filippo Baldinucci collected many of Poccetti's drawings – including compositional sketches, individual figure studies, and a fresco cartoon, executed in charcoal or red and black chalk on blue or white paper for a Medici Cardinal. A later artist engraved around forty of these designs."
– from curator's notes at the Getty Museum, Los Angeles