Friday, May 6, 2022

Giovanni Battista Pittoni (1687-1767) - Venetian Elegance

Giovanni Battista Pittoni
Bacchus and Ariadne (detail)
ca. 1720-30
oil on canvas
National Museum, Warsaw

Giovanni Battista Pittoni
Bacchus and Ariadne
ca. 1720-30
oil on canvas
National Museum, Warsaw

Giovanni Battista Pittoni
Bacchus and Ariadne
ca. 1730-32
oil on canvas
Staatsgalerie, Stuttgart

Giovanni Battista Pittoni
Sacrifice of Isaac
ca. 1715-20
oil on canvas
Chiesa di San Francesco della Vigna, Venice

Giovanni Battista Pittoni
Sacrifice of Polyxena
ca. 1737
oil on canvas
Alte Pinakothek, Munich

Giovanni Battista Pittoni
St Peter
ca. 1740
oil on canvas
private collection

Giovanni Battista Pittoni
The Annunciation
1757
oil on canvas
Gallerie dell'Accademia, Venice

Giovanni Battista Pittoni
Death of Lucretia
before 1767
oil on canvas
National Trust, Basildon Park, Berkshire

Giovanni Battista Pittoni
Death of King Candaulas
ca. 1720-25
oil on canvas
Hermitage, Saint Petersburg

Giovanni Battista Pittoni
Jupiter and Minerva
as Protectors of Justice and Peace

ca. 1730
oil on canvas
(installed as ceiling painting)
Ca' Pesaro, Venice

Giovanni Battista Pittoni
Saints and Angels
presenting a Worshipper to the Virgin and Child

ca. 1720-30
oil on canvas
Cleveland Museum of Art, Ohio

Giovanni Battista Pittoni
Virgin and Child with St Anthony of Padua
1740
oil on canvas
Collection of Franco Maria Ricci, Fontanellato

Giovanni Battista Pittoni
The Finding of Moses
ca. 1730-40
oil on canvas
Portland Art Museum, Oregon

Giovanni Battista Pittoni
Apotheosis of St Jerome
with St Peter of Alcántara
and an unidentified Franciscan

ca. 1725
oil on canvas
Scottish National Gallery, Edinburgh

Giovanni Battista Pittoni
St Teresa of Avila supported by an Angel
before 1767
oil on canvas
Museo del Settecento Veneziano,
Ca' Rezzonico, Venice

"Like his illustrious younger Venetian contemporary Giambattista Tiepolo, Giovanni Battista Pittoni helped to spread the international success of the Venetian Rococo style.  Most of Pittoni's religious, mythological, and historical paintings were created for German, Polish, and Russian patrons.  He first trained with his uncle, Venetian painter Francesco Pittoni, then joined the guild in Venice in 1716.  In the 1720s and 1730s, Pittoni's nervous brushwork produced vibrant Rococo paintings that reveal a debt to Sebastiano Ricci and Tiepolo.  A sophisticated colorist, he imbued his elegant pictures with an Arcadian mood close in feeling to the French Rococo.  Later, Pittoni's palette lightened and his compositions became more sedate, probably due to the prevailing trend towards Neoclassicism.  Highly regarded by his contemporaries, Pittoni was a founding member of the Venetian Academy and succeeded Tiepolo as president of the institution in 1758." 

– from curator's notes at the Getty Museum, Los Angeles