Friday, August 12, 2022

Giuseppe Bossi (1777-1815) - Milanese Neoclassicism

Antonio Canova
Posthumous Portrait Bust of Giuseppe Bossi
1816
plaster
Detroit Institute of Arts

Giuseppe Bossi
Group Portrait of (left to right) Giuseppe Bossi, 
Gaetano Cattaneo, Carlo Porta, and Giuseppe Taverna

1809
oil on canvas
Pinacoteca di Brera, Milan

Giuseppe Bossi
Portrait of a Man
ca. 1800-1815
oil on canvas
Collection of Franco Maria Ricci, Fontanellato

Giuseppe Bossi
Portrait of Felice Bellotti
ca. 1810
oil on canvas
Galleria Civica d'Arte Moderna, Milan

Giuseppe Bossi
Oedipus at Colonus
ca. 1803-1804
oil on canvas (grisaille)
Galleria Civica d'Arte Moderna, Milan

Giuseppe Bossi
Pair of Dancers
ca. 1800
drawing
Graphische Sammlung,
Staatsgalerie Stuttgart

Giuseppe Bossi after Marcantonio Raimondi after Raphael
Dance of the Cupids
ca. 1800
drawing
Graphische Sammlung, Städel Museum, Frankfurt

Giuseppe Bossi
Diogenes
1797
drawing
Scottish National Gallery, Edinburgh

Giuseppe Bossi
Académie
ca. 1800
drawing
Yale University Art Gallery

Giuseppe Bossi
Two Studies of Reclining Venus
before 1815
drawing
British Museum

Giuseppe Bossi
Two Studies of a Prophet
1797
drawing
Scottish National Gallery, Edinburgh

Giuseppe Bossi
Sappho with Doves
before 1815
drawing
British Museum

Giuseppe Bossi
Sheet of Figure Studies
before 1815
drawing
British Museum

Giuseppe Bossi
Sheet of Figure Studies
before 1815
drawing
British Museum

Giuseppe Bossi
Study of Figures
for The Apotheosis of Giambattista Bodoni

ca. 1800
drawing
Getty Museum, Los Angeles

"Trained in painting at Milan's academy, Giuseppe Bossi used his education as a starting point for a career that branched out into writing and arts administration.  In Rome between 1785 and 1801, he met writers, scholars, archaeologists, and Neoclassical artists.  He studied ancient and Renaissance art and, to hone his figure drawing skills, drew corpses at a local hospital."

"In 1802 Bossi traveled to Lyon, France, where he met Neoclassical painters such as Jacques-Louis David.  His style acquired a contemporary, sociopolitical slant and later embraced Romanticism, incorporating a more poetic and sensual approach.  Back in Milan, Bossi served as secretary at the academy until 1807.  He developed a major library and founded its art gallery, acquiring important paintings by such artists as Raphael.  He also prevented many works from being smuggled abroad or dispersed."

"Bossi always associated with intellectuals and artists – Antonio Canova was a great friend and admirer – and displayed a range of interests.  After making a replica of Leonardo da Vinci's Last Supper, he released an ambitious and learned publication about the painting in 1810.  A passionate archaeologist and book lover, Bossi also collected drawings, prints, paintings, coins, sculptures, and antiques."

– biographical sketch from the Getty Museum, Los Angeles