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| Fabrizio Boschi Study for Pietà ca. 1620-30 drawing Metropolitan Museum of Art, New York |
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| Fabrizio Boschi Study of an Archer before 1642 drawing Morgan Library, New York |
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| Fabrizio Boschi Head of a Woman before 1642 drawing Musée du Louvre |
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| attributed to Fabrizio Boschi Angel ca. 1600-1610 drawing Yale University Art Gallery |
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| attributed to Fabrizio Boschi Zechariah approaching the Altar before 1642 drawing Musée du Louvre |
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| Fabrizio Boschi Drapery Study before 1642 drawing Musée du Louvre |
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| Fabrizio Boschi Study of Standing Figure before 1642 drawing Harvard Art Museums |
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| Fabrizio Boschi Tobias and the Angel before 1642 drawing Scottish National Gallery, Edinburgh |
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| Fabrizio Boschi Study for St Matthew in Niche before 1642 drawing Metropolitan Museum of Art, New York |
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| Fabrizio Boschi Decorative Scheme with Standing Figure in Niche before 1642 drawing Metropolitan Museum of Art, New York |
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| Fabrizio Boschi Design for Wall Decoration with Fountain and Nymph seen through an Archway before 1642 drawing, with watercolor Musée du Louvre |
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| Fabrizio Boschi Design for Cartouche before 1642 drawing Morgan Library, New York |
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| Fabrizio Boschi Design for Funerary Monument before 1642 drawing Musée du Louvre |
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| Fabrizio Boschi Design for Monumental Doorway before 1642 drawing Musée du Louvre |
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| Fabrizio Boschi (designer) Sacristy Doorway mid-17th century Basilica di Santa Maria Novella, Florence |
"Whatever the original meaning of the word Baroque, or the scope of the concept, its meaning until recently was bad. From the Enlightenment till late in the nineteenth century, the view had prevailed that was still voiced by Benedetto Croce as late as 1924: "Art is never baroque, and the Baroque is never art." The view prevailing at the present time is vastly different. In 1857 Delacroix noted in his Journal that Baroque art has great values lacking in the classical art of antiquity. By 1881 Willamowitz-Moellendorf was using the term generically, speaking of Hellenism as Greek Baroque. By 1945 this twofold sense of the word Baroque was widely established: 1) as an historic concept, to designate the period or stage in Western culture following the Renaissance roughly equivalent to the seventeenth century; 2) as an abstract psychological concept, to designate a type of expression that may occur in any historic culture and may recur at various stages of development."
– Ernest C. Hassold, The Baroque as a Basic Concept of Art (College Art Journal, Autumn 1946)