Tuesday, August 23, 2022

Battista Franco Veneziano, called il Semolei - (1510-1561)

Battista Franco
Hercules with seated Captive
before 1561
drawing
Musée du Louvre

Battista Franco
Arms of the Medici quartered with those of Austria
1536
drawing
(study for marriage festival decoration)
Musée du Louvre

Battista Franco
Study for Battle of Greeks and Trojans
ca. 1544-51
drawing
Musée du Louvre

Battista Franco
Youth leaning over a Balustrade
before 1561
drawing
Musée du Louvre

Battista Franco
Figure Study
before 1561
drawing
Musée du Louvre

Battista Franco
The Lamentation
ca. 1540
drawing
Musée du Louvre

Battista Franco
Studies for Saints in Niches above Frieze
ca. 1547-50
drawing
Musée du Louvre

Battista Franco
Study for an Allegory
before 1561
drawing
Musée du Louvre

Battista Franco
Study for Lazarus
ca. 1560
drawing
Musée du Louvre

Battista Franco
Study for Cronos
ca. 1558-59
drawing
Musée du Louvre

Battista Franco
Half-Length Figure Study
before 1561
drawing
Musée du Louvre

Battista Franco after Michelangelo
Figure of Night from Tomb of Giuliano de' Medici
ca. 1536
drawing
Musée du Louvre

Battista Franco after Michelangelo
Figure of Day from Tomb of Giuliano de' Medici
ca. 1536
drawing
Musée du Louvre

Battista Franco after Michelangelo
Figure of Day from Tomb of Giuliano de' Medici
ca. 1536
drawing
Musée du Louvre

Battista Franco after Michelangelo
Figure of Day from Tomb of Giuliano de' Medici
ca. 1536
drawing
Musée du Louvre

"Although born in Venice, Franco was in Rome by the time he was twenty.  There he made drawings after the Antique treasures that filled the city, but he also fell under the spell of Michelangelo and made numerous drawings after the master's work.  In addition to being a fine draughtsman, Franco was also an accomplished painter and printmaker.  He often produced prints of his own designs using either etching or engraving, or sometimes a combination of both.  Much of his career was spent in Rome and Urbino, but around 1552 he returned to Venice where he lived for the last decade of his life."

– from curator's notes at the National Gallery of Scotland