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| Eugène Atget Balcony, 21 rue Poissonnière, Paris ca. 1900 albumen silver print National Gallery of Victoria, Melbourne |
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| Eugène Atget Parc de Versailles 1902 albumen print Museum of Fine Arts, Boston |
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| London Stereoscopic Company Constance Collier as Pallas Athena in Ulysses 1902 photograph printed on card Victoria & Albert Museum, London |
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| Edward Steichen The Big White Cloud 1906 halftone Minneapolis Institute of Art |
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| Edward Steichen Henri Matisse 1909 photogravure Indianapolis Museum of Art |
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| Arnold Genthe Julia Marlowe as Lady MacBeth 1907 autochrome Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Arnold Genthe Edward Hugh Sothern as Hamlet ca. 1913 bromide print National Portrait Gallery, London |
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| Alvin Langdon Coburn Two Trees, Rothenberg 1908 photogravure Milwaukee Art Museum |
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| Alvin Langdon Coburn Fountain, Trafalgar Square ca. 1909 photogravure Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Alvin Langdon Coburn Mark Twain 1911 autochrome (book illustration) Phillips Collection, Washington DC |
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| Clarence H. White Lady in Black with the Venus de Milo 1908 photogravure Chrysler Museum of Art, Norfolk, Virginia |
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| Clarence H. White Portrait of Mrs Lauren Drake ca. 1900-1905 cyanotype Princeton University Art Museum |
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| Clarence H. White Portrait of Mrs Clarence H. White ca. 1910 photogravure Minneapolis Institute of Art |
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| Clarence H. White Alvin Langdon Coburn and his Mother 1910 photogravure Chrysler Museum of Art, Norfolk, Virginia |
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| Emil Otto Hoppé Tamara Karsavina with Adolf Bolm in The Firebird (Ballets Russes) 1911 photogravure Detroit Institue of Arts |
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| August Sander Three Farmers on their way to a Dance, Westerwald 1914 gelatin silver print Milwaukee Art Museum |
from Spring and All
The farmer in deep thought
is pacing through the rain
among his blank fields with
hands in pockets,
in his head
the harvest already planted.
A cold wind ruffles the water
among the browned weeds.
On all sides
the world rolls coldly away:
black orchards
darkened by the March clouds –
leaving room for thought.
Down past the brushwood
bristling by
the rainsluiced wagonroad
looms the artist figure of
the farmer – composing
– antagonist.
– William Carlos Williams (1923)