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| Antony Armstrong-Jones, Earl of Snowden Barbara Hepworth (Sculptor) 1964 bromide print National Portrait Gallery, London |
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| Antony Armstrong-Jones, Earl of Snowden Francis Haskell (Art Historian) 1966 bromide print National Portrait Gallery, London |
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| Bruce Davidson Untitled ca. 1965 gelatin silver print Minneapolis Institute of Art |
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| Aaron Siskind Pleasures and Terrors of Levitation 1965 gelatin silver print Phillips Collection, Washington DC |
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| Henri Cartier-Bresson Women at Kabuki Actor's Funeral, Tokyo 1965 gelatin silver print Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Henri Cartier-Bresson Chartres (Eure-et-Loire) ca. 1968-69 gelatin silver print Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Marie Cosindas Dolls, Boston 1966 C-print from large-format Polaroid Milwaukee Art Museum |
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| Garry Winogrand New York City 1967 gelatin silver print Minneapolis Institute of Art |
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| Diane Arbus Lady at a Masked Ball, New York City 1967 gelatin silver print Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Diane Arbus Charles Atlas Flexing, Palm Beach, Florida 1969 gelatin silver print Yale University Art Gallery |
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| Larry Clark Mexico 1967 gelatin silver print Minneapolis Institute of Art |
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| Josef Sudek On the Windowsill of My Studio ca. 1968 gelatin silver print Minneapolis Institute of Art |
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| William Klein Armistice Day, Paris 1968 gelatin silver print Art Institute of Chicago |
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| Bill Owens Nudist, San Francisco ca. 1968 gelatin silver print Cleveland Museum of Art, Ohio |
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| Lee Friedlander Jean Genet, Chicago 1968 gelatin silver print Minneapolis Institute of Art |
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| Lee Friedlander Mount Rushmore, South Dakota 1969 gelatin silver print Milwaukee Art Museum |
from Sudden Snow
and the snow like Charles Olson working on one of his ABC
poems
is quietly and bitterly falling
is quietly and bitterly falling
but we don't know that yet, you drink more tea
your arm feels a little bit thinner
this morning two ladies from Jehovah's Witnesses came to call
on me in my dungarees, explaining their 3,750,000 copies
printed
in Cinyanja, Cishona, English, Ilocano, Tagalog and Twi,
Marathi, Pangasinan, Papiamento, Silozi, Xhosa,
Zulu and Finnish
so all day I think of the terrible limitations of poetic style "as we
know it"
till you take me to the movies which reach everywhere
and remind me that you understand me better than I understand
you
and I am happy
yes, it's time to go
– Frank O'Hara (1926-1966)
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| Leonard Weigh Men hauling Dummy up Street Pole, Melbourne ca. 1965 gelatin silver print National Gallery of Victoria, Melbourne |