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| Minor White Mark Adams, San Francisco 1950 gelatin silver print Cleveland Museum of Art |
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| Louis Faurer Barnum & Bailey Dressing Rooms, New York City 1950 gelatin silver print Cleveland Museum of Art |
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| Louis Faurer Barnum & Bailey Circus Performers, Old Madison Square Garden, New York, N.Y. 1950 gelatin silver print Milwaukee Art Museum |
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| Louis Faurer Accident, New York City 1952 gelatin silver print Milwaukee Art Museum |
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| Cecil Beaton Princess Margaret 1951 Ektachrome color transparency Victoria & Albert Museum, London |
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| Werner Bischof Paper Doors ca. 1951 gelatin silver print Art Institute of Chicago |
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| Werner Bischof Unloading Grain - Calcutta, India 1951 gelatin silver print Minneapolis Institute of Art |
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| Jane Bown Evelyn Waugh with his Family 1951 bromide print National Portrait Gallery, London |
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| Irving Penn Woman in Palace (Lisa Fonssagrives-Penn), Marrakech, Morocco 1951 gelatin silver print Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| George Platt Lynes Untitled 1951 gelatin silver print Cleveland Museum of Art |
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| Arthur Siegel State Street, Chicago 1951 dye transfer print Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Arthur Siegel State Street Jewelry Shop ca. 1951 dye imbibition print Art Institute of Chicago |
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| Arthur Siegel Cement Mixer 1953 dye imbibition print Art Institute of Chicago |
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| Saul Leiter Flower Man 1952 gelatin silver print Milwaukee Art Museum |
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| Harold Edgerton Dancer 1952 gelatin silver print Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Harry Callahan Woman in Green, Chicago 1952 dye transfer print Phillips Collection, Washington DC |
from Heisenberg Saying Goodbye to Mum at Lilyfield
Accommodate the action in your life
to wrest the deep perspective of the real
from cubic content realms of atmosphere
at play beyond the bank and shoal of time.
Then resonance begins, and all vibrates.
The syntax of position no more sculpts
this world of interpenetrative forms
than syntaxes of motion render grace.
– Luke Davies (2016)