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| Andy Warhol Green Coca-Cola Bottles 1962 screenprint Whitney Museum of American Art, New York |
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| Andy Warhol Ethel Scull 36 Times 1963 screenprint Whitney Museum of American Art, New York |
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| Andy Warhol The Kiss (Bela Lugosi) 1963 screenprint Museum Boijmans Van Beuningen, Rotterdam |
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| Andy Warhol Study for Today's Teenagers 1965 screenprint (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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| Andy Warhol Today's Teenagers 1965 screenprint (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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| Andy Warhol Marilyn 1967 screenprint Whitney Museum of American Art, New York |
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| Andy Warhol Flowers 1970 screenprint Smithsonian American Art Museum, Washington DC |
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| Andy Warhol Flowers 1974 screenprint Whitney Museum of American Art, New York |
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| Andy Warhol Untitled (Cyclist) ca. 1976 four gelatin silver prints stitched with thread Whitney Museum of American Art, New York |
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| Jamie Wyeth Portrait Study of Andy Warhol ca. 1976 watercolor on paper Whitney Museum of American Art, New York |
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| Andy Warhol Franz Kafka (series, Jews of the Twentieth Century) 1980 screenprint Whitney Museum of American Art, New York |
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| Andy Warhol George Gershwin (series, Jews of the Twentieth Century) 1980 screenprint Whitney Museum of American Art, New York |
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| Andy Warhol Sarah Bernhardt (series, Jews of the Twentieth Century) 1980 screenprint Whitney Museum of American Art, New York |
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| Andy Warhol The Shadow 1981 screenprint and diamond dust on board Whitney Museum of American Art, New York |
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| Andy Warhol Eric Emerson (Chelsea Girls) 1982 screenprint Reynolda House Museum of American Art, Winston-Salem, North Carolina |
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| Andy Warhol Emily Fisher Landau 1984 screenprint and acrylic paint on canvas Whitney Museum of American Art, New York |
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| Andy Warhol La Grande Passion 1985 screenprint (advertising commission) Whitney Museum of American Art, New York |
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| Andy Warhol John Gotti 1986 screenprint and collage on paper (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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| Philip Pearlstein Portrait of Andy Warhol ca. 1948 watercolor and ink on board Whitney Museum of American Art, New York |
from Tristia
[from exile, to his wife at Rome]
Fetch home these bones, and what is left of me,
A few Flowres give them, with some Balme, and lay
Them in some Suburb-grave hard by the way,
And to Informe posterity, who's there,
This sad Inscription let my marble weare,
Here lyes the soft-soul'd Lecturer of Love,
Whose envy'd wit did his own ruine prove.
But thou (whoe're thou beest, that passing by
Lendst to this sudden stone a hastie Eye)
If e're thou knew'st of Love the sweet disease,
Grudge not to say, May Ovid rest in peace!
This for my tombe: but in my books they'll see
More strong and lasting Monuments of mee,
Which I believe (though fatall) will afford
An Endless name unto their ruin'd Lord.
And now thus gone, It rests for love of me
Thou shewest some sorrow to my memory;
Thy Funerall off'rings to my ashes beare
With Wreathes of Cypresse bath'd in many a teare,
Though nothing there but dust of me remain,
Yet shall that Dust perceive thy pious pain.
– Ovid (43 BC-AD 17), translated by Henry Vaughan (1651)