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| Carle Vanloo Venus at the Forge of Vulcan ca. 1735 oil on canvas Hood Museum of Art, Dartmouth College, Hanover, New Hampshire |
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| Bob Thompson Triumph of Bacchus 1964 oil on canvas Whitney Museum of American Art, New York |
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| Giovanni Jacopo Caraglio after Rosso Fiorentino Jupiter 1526 engraving Graphische Sammlung, ETH Zürich |
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| Jacob Binck after Giovanni Jacopo Caraglio after Rosso Fiorentino Jupiter 1530 engraving Herzog Anton Ulrich Museum, Braunschweig |
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| Sebastiano Galeotti Bacchus and Ceres attended by Putti and Marine Deity before 1746 drawing Metropolitan Museum of Art, New York |
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| David Teniers the Younger Birth of Jupiter ca. 1650-60 oil on panel Detroit Institute of Arts |
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| Lubin Baugin Childhood of Jupiter 1640 oil on canvas Musée Saint-Loup, Troyes |
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| Le Nain Brothers Venus at the Forge of Vulcan 1641 oil on canvas Musée des Beaux-Arts de Reims |
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| Cristofano Gherardi Pluto 1555 fresco Palazzo Vecchio, Florence |
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| John Baptist Jackson after Giambologna Neptune ca. 1730-40 chiaroscuro woodcut National Museum of American History, Washington DC |
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| Guillaume Coustou the Younger Aphrodite ca. 1750 limestone (demi-relief) Newport Mansions Preservation Society, Rhode Island |
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| Simone Cantarini (il Pesarese) Jupiter and Neptune (study for Apotheosis of Cardinal Borghese) ca. 1642 drawing Graphische Sammlung Albertina, Vienna |
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| Hendrik van der Borcht the Younger after Parmigianino Saturn as winged horse seducing the oceanid Philyra ca. 1638 etching British Museum |
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| Roman Anton Boos Vulcan ca. 1780 terracotta statuette Bayerisches Nationalmuseum, Munich |
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| Andries Cornelis Lens Zeus on Mount Ida put to sleep by Hera 1775 oil on canvas Kunsthistorisches Museum, Vienna |
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| Frank Auerbach Bacchus and Ariadne 1971 oil on board Tate Modern, London |
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| Antoine-Jean Gros Bacchus and Ariadne 1820 oil on canvas Phoenix Art Museum, Arizona |
from Hymn to Aphrodite
And he took her hand,
and she, Aphrodite, Laughterlover,
turned aside her face
and cast her eyes on the ground,
and she walked, slowly, to the bed,
and the bed was set with smooth cloths
and with the skins of bears and lions
he had killed, in the mountains, on the high slopes,
and they went up into the bed,
and he loosed her flashing jewelry,
her pins, and her twisted brooches,
and her earrings, and her necklaces,
and he loosed her sash and her shimmering robe
and folded them and set them on a silver-studded chair,
and he lay with her,
Anchises,
a man with a goddess,
for it was the will of the gods and fate, and he knew not clearly,
he knew not clearly.
– Homeric Hymns (8th-6th century BC), translated by John D. Niles (1969)










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