![]() |
| Anonymous Italian Artist Designs for Ornamental Cartouches ca. 1675 ink and watercolor on paper Ashmolean Museum, Oxford |
![]() |
| Mark Rothko Untitled 1946 oil on canvas National Gallery of Art, Washington DC |
| Anonymous French Makers Chandelier with 180 Lights ca. 1860 steel, glass and gilt-bronze Musée du Louvre |
| Louis-Philippe Mouchy Apollo 1779 marble Musée du Louvre |
![]() |
| Anonymous Italian Artist Combat of Tritons 16th century drawing Musée du Louvre |
![]() |
| Mark Rothko No. 9 1948 mixed media on canvas National Gallery of Art, Washington DC |
| Anonymous Makers Vase (one of a pair) 18th century Chinese porcelain with French gilt-bronze mounts Musée du Louvre |
| Louis-Philippe Mouchy Le Repos d'un Berger 1768 marble Musée du Louvre |
![]() |
| Anonymous Italian Artist Gathering of Witches and Monsters in a Cave 18th century drawing Ashmolean Museum, Oxford |
![]() |
| Mark Rothko Untitled (Harvard Mural Sketch) 1962 mixed media on canvas National Gallery of Art, Washington DC |
![]() |
| Anonymous Italian Artist Allegorical Figure of Faith ca. 1550-1600 gilt-bronze on marble base Ashmolean Museum, Oxford |
| Louis-Philippe Mouchy Portrait of Charles de Sainte-Maur, duc de Montausier, gouverneur du Dauphin 1789 marble Musée du Louvre |
![]() |
| Anonymous Italian Artist Corinthian Fragment ca. 1650 drawing Ashmolean Museum, Oxford |
![]() |
| Mark Rothko Lavender and Mulberry 1959 oil on paper, mounted on board Hirshhorn Museum, Washington DC |
![]() |
| Anonymous Italian Artist Allegorical Figure of Hope ca. 1550-1600 gilt-bronze on marble base Ashmolean Museum, Oxford |
![]() |
| Alexander Munro Young Romilly (illustration to poem by Wordsworth) ca. 1863 marble Scottish National Gallery, Edinburgh |
![]() |
| Anonymous Italian Artist Woman calming Quarreling Putti 17th century drawing British Museum |
Grey Time moves silently, and creeping on
Steals the voices of articulate humans,
Obscure himself, he hides illustrious men
And brings to light men who have been obscure.
O unforeseeable finish of men's lives,
Who daily always advance towards the dark.
– from the Greek Anthology, translated by Peter Jay
-Ashmolean-Museum-Oxford.png)




-1962-a-mixed-media-on-canvas-National-Gallery-of-Art-Washington-DC.png)





