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| Francesco Giuseppe Casanova Bolt of Lightning 1791 oil on canvas Liechtenstein Museum, Vienna |
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| James Casebere Subdivision with Spotlight 1982 gelatin silver print Guggenheim Museum, New York |
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| Giacomo Ceruti (il Pitocchetto) Still Life with Lobster before 1767 oil on canvas Liechtenstein Museum, Vienna |
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| Jack Chambers Regatta no. 1 1968 oil on canvas Museum London, Ontario |
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| Cima da Conegliano Christus before 1517 oil on panel Gemäldegalerie Alte Meister, Dresden |
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| Minna Citron New Hampshire Golds 1955 oil on canvas Smithsonian American Art Museum, Washington DC |
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| George Clausen Filling Sacks ca. 1926 etching National Gallery of Canada, Ottawa |
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| Adriaen Collaert Christopher Columbus braving the Ocean ca. 1590 etching Staatliche Graphische Sammlung, Munich |
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| Gerard Collins My Backyard Garden 1996 oil on canvas New Brunswick Museum, Saint John |
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| Joannes Cordua Vanitas Still Life 1650 oil on canvas Seattle Art Museum |
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| Joseph Cornell The Lanner Waltzes before 1972 collage, pressed leaves and watercolor on paper Smithsonian American Art Museum, Washington DC |
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| attributed to Correggio (Antonio Allegri) Virgin and Child ca. 1505-1510 oil on canvas National Gallery of Art, Washington DC |
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| Lucas Cranach the Younger Ernest III, Duke of Brunswick-Grubenhagen ca. 1541-42 tempera on paper (portrait study) Musée des Beaux-Arts de Reims |
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| Gregory Crewdson Jim's House of Shoes 2022 inkjet print Whitney Museum of American Art, New York |
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| Jan van Dalen Vanitas Still Life ca. 1665 oil on panel Phoenix Art Museum |
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| Charles-François Daubigny Landscape ca. 1865 oil on panel Musée des Beaux-Arts de Reims |
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| F. Holland Day Evening before 1896 platinum print National Museum of American History, Washington DC |
"You must take into consideration that I grew up not in an American, and not in an English, but in a European atmosphere; my father was naturalized in Eng. only around the time I was born – his background was Jewish, Russian, Central European – and my mother, herself proudly Welsh, had lived in Poland, Germany, & Denmark etc. all the years between 1910 & 1923. And then, when I came to the U.S., I was already 24 years old – so tho' I was very impressionable, good melting-pot material, the American idiom is an acquired language for me. Certainly I am an American poet, if anything – I know I am not an English one – nevertheless . . . "
– Denise Levertov, from a letter to William Carlos Williams, 1960