 |
| Parmigianino Camilla Gonzaga, Countess of San Segundo, with sons c. 1535-37 Prado |
 |
| Parmigianino Roscio, Count of San Secondo c. 1535-38 Prado |
Mannerist elongations become perversely convincing under the hand of Parmigianino (1503-1540). His short career at the beginning of the 16th century was not prolific, but made itself significant through an extreme, self-conscious stylishness that is still effectively in operation even today.
 |
| Parmigianino Youth with a Book 16th century Victoria & Albert Museum |
 |
| Parmigianino Studies of Saints c. 1525-27 Getty |
 |
| Parmigianino Study of Putto supporting Cloud c. 1520-40 Victoria & Albert Museum |
 |
| Parmigianino Seated figure of Diana c. 1522 Metropolitan Museum |
 |
| Parmigianino Seated figure of Mercury c. 1525 Metropolitan Museum |
 |
| Parmigianino Man Clinging to Column 16th century Victoria & Albert Museum |
 |
| Parmigianino Apparition of Christ 16th century Metropolitan Museum |
 |
| Parmigianino Garzone Grinding Pigments 1530s Victoria & Albert Museum |
 |
| Parmigianino Figure Studies c. 1522 Metropolitan Museum |
 |
| etching after Parmigianino Priapus & Lotis c. 1530-50 Metropolitan Museum |
 |
| engraving after Parmigianino Winged Centaur at an Altar 1540 Victoria & Albert Museum |
 |
| Parmigianino Holy Family & Angel c. 1524 Prado |