Walter Bayes Day Dreams ca. 1902-1903 oil on canvas York City Art Gallery |
Walter Russell Tying Her Shoe ca. 1910 oil on canvas Gallery Oldham, Manchester |
Philip de László Mrs Beatrice Sanderson 1917 oil on canvas Ferens Art Gallery, Kingston-upon-Hull |
John Collier Mrs Osborne ca. 1925 oil on canvas The Box, Plymouth, Devon |
Maurice Greiffenhagen A Visit to Town ca. 1926 oil on canvas (commissioned for a poster) National Railway Museum, York |
First Glance
The Lumières' first movies were of ordinary life:
workers leaving their father's factory;
parents at the table while the baby eats.
The brothers found the man's hands at work building a wall
just as beautiful when played backwards,
the man leaping into the water
and equal delight when he rose again into the air.
It's strange the brothers gave up so quickly on film, but they did.
People would grow bored, they said, could see the same thing on the street.
A novelty, they told their father, and returned to manufacturing.
– Susan Hutton (2007)
John Lavery Eileen in Primrose Yellow 1926 oil on canvas Ulster Museum, Belfast |
Robert Murray The Red Scarf 1937 oil on canvas Aberdeen Art Gallery, Scotland |
Wyndham Lewis Miss Close 1939 oil on canvas Glynn Vivian Art Gallery, Swansea, Wales |
Frank O. Salisbury Renée Merandon du Plessis, Lady Iliffe 1945 oil on canvas National Trust, Basildon Park, Berkshire |
Henry John Lintott Profile ca. 1948 oil on canvas Royal Scottish Academy of Art and Architecture, Edinburgh |
Gerard de Rosé The Artist's Wife ca. 1950 oil on canvas Haworth Art Gallery, Accrington, Lancashire |
Thomas Cantrell Dugdale Princess Margaret ca. 1950 oil on canvas Royal Highland Fusiliers Museum, Glasgow |
Paul Ayshford Methuen Miss Margaret MacKean ca. 1959 oil on canvas Royal West of England Academy, Bristol |
Euan Uglow Georgia 1983 oil on canvas British Council Collection, London |
Humphrey Ocean Maureen Lipman 1987 oil on canvas Ferens Art Gallery, Kingston-upon-Hull |