Thursday, January 6, 2022

Romantic Painting in Nineteenth-Century Europe and Britain

Philippe-Jacques van Brée
The First Pose
(The Artist's Studio in Rome)

1833
oil on canvas
private collection

Jenaro Pérez Villaamil
Explosion of a Locomotive
ca. 1843
oil on canvas
Museo Nacional de Bellas Artes, Buenos Aires

Samuel Prout
The Wreck of the Dutton, an East Indiaman
ca. 1815
oil on panel
Yale Center for British Art

Gabriele Smargiassi
Study of Rocks at Cava de' Tirreni
ca. 1820-50
oil on canvas
Banco Commerciale Italiana, Naples

John Linnell
Noah on the Eve of the Flood
1848
oil on canvas
Cleveland Museum of Art, Ohio

Francesco Hayez
Rinaldo and Armida
(scene from Gerusalemme Liberata by Torquato Tasso)
ca. 1812-13
oil on canvas
Gallerie dell' Accademia, Venice

Theodor von Holst
Bertalda assailed by Spirits
(scene from Undine
by Friedrich de la Motte Fouqué)
ca. 1830
oil on canvas
Tate Britain

Theodor von Holst
Bertalda frightened by Apparitions
(scene from Undine
by Friedrich de la Motte Fouqué)
ca. 1840
oil on canvas
The Wilson, Cheltenham, Gloucestershire

François-Joseph Navez
Hagar and Ishmael in the Desert
1820
oil on canvas
Musées Royaux des Beaux-Arts, Brussels

John Pettie
Hunted Down
1877
oil on canvas
Hospitalfield House, Arbroath, Scotland

Henry Jones Thaddeus
The Wounded Poacher
1881
oil on canvas
National Gallery of Ireland, Dublin
 
Giuseppe Collignon
Death of Lucretia
1833
oil on canvas
Pinacoteca Foresiana di Portoferraio, Isle of Elba

Charles Robert Leslie
The Toilette
ca. 1849
oil on panel
Victoria & Albert Museum, London

Philippe-Jacques van Brée
Gentile Bellini at the Court of Mehmet II in Constantinople
ca. 1840
oil on panel
private collection

Eduard Gaertner
View of the Opera and Unter den Linden, Berlin
1845
oil on canvas
Museo Thyssen-Bornemisza, Madrid

Burial Song

My body ran on its legs and waved its hands,
Dug holes, cracked wood. It leaped into water,
Leaped out again, made fire, flinched from fire.
It climbed over rocks and hurried from one place to another
And came back to its beginning, aiming its empty ears
and eyes into the four mouths of the wind.
My body carried another body into the woods,
Forgot itself, found itself, lost itself.

Now it lies still. Children may tease it with sticks
Or women call to it, laughing behind their fingers,
Or men challenge it with their proud crowing,
But it wants nothing from them and will not move.
Its hands stay where they belong – together –
Its eyes shut, its heels not rising or dragging,
And its mouth keeping a cold council.

My body has stopped. Now yours will go forward,
But mine will stay in this Now, exactly here.
Tomorrow it will seem far behind you.
Though you squint till you weep, you will not see it
Nor will Hawk from the edge of his cloud
Nor will Owl see it in this different darkness.
Yet it will lie in wait for you to remember
Like a dream stiffened with danger.

– David Wagoner (1978)