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| Eugène Atget Boulevard de Strasbourg, Paris 1912 gelatin silver print Getty Museum, Los Angeles |
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| Clifton R. Adams Window at Saks Fifth Avenue, New York ca. 1920-35 print from glass-plate negative Rijksmuseum, Amsterdam |
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| Russell Lee Drug Store Window, Washington DC 1938 gelatin silver print New York Public Library |
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| Berenice Abbott Pingpank Barber Shop, Manhattan 1938 gelatin silver print New York Public Library |
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| Durette Studio Untitled (Bakery Window) ca. 1940 gelatin silver print Harvard Art Museums |
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| Nathan Lerner Store Window 1943 gelatin silver print Brooklyn Museum |
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| Louis Faurer Union Square from Ohrbach's Window, New York, N.Y. ca. 1948-50 gelatin silver print Phillips Collection, Washington DC |
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| Brett Weston Untitled (Display Window) 1954 gelatin silver print Harvard Art Museums |
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| Malcolm Hill Football Ground - Round Window at Entrance ca. 1960 gelatin silver print Scottish National Gallery, Edinburgh |
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| Richard Estes 42nd Street 1981 screenprint Chrysler Museum of Art, Norfolk, Virginia |
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| Richard Haas Maquette for Waterside Mural #1 1982 gouache on board Chrysler Museum of Art, Norfolk, Virginia |
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| David Hepher Night Flats 1983 oil on canvas Middlesbrough Institute of Modern Art |
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| Michael A. Smith Reflections of Trees in a Building's Windows, Princeton, New Jersey 1984 gelatin silver print Princeton University Art Museum |
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| Robert Benjamin Window, Seattle 1988 C-print Denver Art Museum |
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| Nathan H. Benn Illuminated Tower, Chrysler Building at Dusk 1988 C-print Chrysler Museum of Art, Norfolk, Virginia |
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| Judy Gelles Mobile Home #5 2000 dye coupler print Los Angeles County Museum of Art |
from The Expendables 2
The airport where all movies end:
the scenery's mobile, the people too
(the people want to be moved),
and the rounded stairways join set pieces
like farewells in a series arc. I don't
understand how you write good scripts
without knowing there are gods. I've
learned the same things we've all learned:
when a man runs through my hotel suite
I can expect another half a second later.
– Sam Riviere (2014)