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| Robert A. Hicks Interior, Building 22, San Quentin Prison 2007 photograph Library of Congress, Washington DC |
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| Milton Glaser Spoleto Festival USA Charleston, South Carolina 1995 lithograph (poster) Cooper Hewitt, Smithsonian Design Museum |
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| Leland Rice Wall Site (Window) 1979 dye coupler print Los Angeles County Museum of Art |
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| Mark Power 9 A.M. (Window) 1977 platinum palladium print Los Angeles County Museum of Art |
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| Fiona Hall Front Window of My House in Forbes Street, Darlinghurst 1974 gelatin silver print National Gallery of Victoria, Melbourne |
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| Howard Kielly Window II 1974 drawing Yale University Art Gallery |
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| Robert Motherwell Ochre with Black Window 1973 acrylic on canvas Cincinnati Art Museum, Ohio |
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| Rodolfo Abularach Window 1966 lithograph Norton Simon Museum, Pasadena |
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| Vivian Cherry 3rd Avenue El (Looking through Window) 1955 gelatin silver print Brooklyn Museum |
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| Harry Callahan Eleanor 1948 gelatin silver print Chrysler Museum of Art, Norfolk, Virginia |
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| Alice Cordelia Morse Design for Window ca. 1895 drawing, with watercolor and gouache Cooper Hewitt, Smithsonian Design Museum |
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| Atelier Adèle (Vienna) Countess Marie Mensdorff-Pouilly 1879 albumen print Royal Collection, Great Britain |
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| G.F. Folingsby Study of Window and Panel, Tratzberg Castle, Jenbach ca. 1860-70 oil on canvas National Gallery of Victoria, Melbourne |
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| François Debret Window, Palazzo Farnese, Caprarola ca. 1815-23 drawing (print study) Metropolitan Museum of Art, New York |
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| Anonymous Italian Artist Window Design 16th century drawing Metropolitan Museum of Art, New York |
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| Anonymous Italian Artist Window Design 16th century drawing Metropolitan Museum of Art, New York |
Curtain Design for Victory Over the Sun
My observations are as follows: still dirty
"in the wisdom" that is constructivist
red theatre pieces, bike gloves all
like a mashed crop of dyed hair,
a bad crop this year.
We started the play at once:
We started the play at once:
An Enemy of the People.
A Buddha of lapidary contrition enters,
hospice, tears, La Clemenza di Tito interlude
hospice, tears, La Clemenza di Tito interlude
rolled in tulips of decisive consequence.
Sprezzatura. Our row
throws that cosmic scratch,
apotropaic, scalene
back to the corner pocket
angle on the hustle –
"Live at the Paradox."
– David Lau (2016)