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| Julian Opie Head 2007 screenprint Victoria & Albert Museum, London |
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| John Bellany Janus 1982 screenprint Tate Gallery |
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| Arnulf Rainer Untitled (Death Mask) 1978 photograph, with added ink Tate Gallery |
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| Ivor Abrahams Morella (series, E.A. Poe: Tales and Poems) 1976 screenprint Tate Gallery |
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| Mino Maccari Portrait of Giorgio Morandi 1975 intaglio print Tate Gallery |
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| Elisabeth Frink Study of Man's Head 1965 drawing, with watercolor Clark Art Institute, Williamstown, Massachusetts |
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| Joan Eardley A Glasgow Boy ca.1955 oil on board Scottish National Gallery, Edinburgh |
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| Emilio Amero Woman balancing Water Pot 1940 gelatin silver print Philadelphia Museum of Art |
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| Arshile Gorky Untitled (Head) ca. 1932-34 oil on canvas Yale University Art Gallery |
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| Roi Partridge Woman's Head in Profile 1929 etching Fine Arts Museums of San Francisco (Achenbach Foundation) |
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| Oskar Schlemmer Head in Profile 1928 lithograph Scottish National Gallery, Edinburgh |
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| Suzanne Valadon Head of Maurice Utrillo 1928 lithograph Victoria & Albert Museum, London |
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| Aubrey Beardsley Headpiece for Malory's Morte d'Arthur ca. 1893 drawing Morgan Library, New York |
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| John Singer Sargent Head of a Young Man ca. 1890 drawing Yale University Art Gallery |
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| Robert Hatton Monks Head of a Girl 1898 oil on canvas Harvard Art Museums |
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| G.F. Folingsby Head of a Bearded Man ca. 1875 oil on canvas National Gallery of Victoria, Melbourne |
"Now Juliet lay still and looked at the map of Venice that hung in a frame on the wall opposite their bed. She looked at the intestinal canals all held against each other in a knot. Now, just as the stone walls of Venice endured the dark water that lay between them, and the water endured its confinement in the twisting walls that held it there, and as their eternal involvement was something that had a name, a being, a kind of beauty, so Juliet could endure the coming day."
– Rachel Cusk, from the novel Arlington Park (2006)