Saturday, April 6, 2024

Romantic Heads

Joseph Ducreux
Self Portrait, Screaming
ca. 1790
drawing
Minneapolis Institute of Art

Théodore Géricault
Head of a Man
ca. 1815
drawing
National Gallery of Art, Washington DC

Charles Damour
Profile Head of Bearded Roman
1836
drawing
Morgan Library, New York

Antoine-Jean Gros
Three Heads
ca. 1810
oil on canvas
(study for painting, The Capitulation of Madrid)
Harvard Art Museums

Thomas Lawrence
Mad Girl
1786
pastel on vellum
Philadelphia Museum of Art

Thomas Lawrence
The Countess of Darnley
ca. 1825-30
oil on canvas
Tate Gallery

Benjamin Robert Haydon
Head Study
ca. 1820
drawing
Yale Center for British Art

Auguste-Barthélemy Glaize
Head of a Man
1830
drawing
Scottish National Gallery, Edinburgh

Antoine de Marcenay de Ghuy
L'Effroy
1773
etching
Princeton University Art Museum

Gustav Heinrich Näcke
Head of a Young Man
ca. 1818
drawing
National Gallery of Art, Washington DC

George Romney
King Lear in the Storm
ca. 1780
drawing
Yale Center for British Art

George Romney
Profile of Grotesque Head
ca. 1780
drawing
Yale Center for British Art

Joseph Paelinck
Self Portrait
ca. 1812
oil on canvas
Cleveland Museum of Art, Ohio

Archibald Skirving
Miniature Self Portrait
ca. 1790
watercolor on ivory
(made in Rome)
Scottish National Portrait Gallery, Edinburgh

Archibald Skirving
Self Portrait
ca. 1790
pastel
(made in Rome)
Scottish National Portrait Gallery, Edinburgh

Edmund Thomas Parris
Head of a Woman
1819
drawing
Scottish National Gallery, Edinburgh

Roman Room

Someday our buried life will come to this:
a shaft of sunlight touching the Etruscan
surfaces, the basin still intact
as if awaiting hands. How many

centuries sequestered is an expert's guess,
you tell me. I admire the tiles
some craftsman spiraled in the ceiling's dome
detailing Neptune's beard. Or someone's.

What will they say of us, who have no home
(we like to say) but one another? When they pry
our hearts apart and excavate the sum,
is that the place we'll lie? Where the words lie?

– Todd Hearon (2008)