Thursday, August 8, 2024

Paladino - Evans - Olley - Porter

Mimmo Paladino
Aleco
1990
screenprint, woodcut, etching and drypoint
Art Gallery of New South Wales, Sydney

Mimmo Paladino
Dedalus
1984
color linocut
Art Gallery of New South Wales, Sydney

Mimmo Paladino
Occhio Sinistro
1986
linocut
National Gallery of Australia, Canberra

Mimmo Paladino
Ospite Conosciuto
1986
linocut
National Gallery of Australia, Canberra

Walker Evans
Boarding House, Birmingham, Alabama
1936
gelatin silver print
Loeb Art Center, Vassar College, Poughkeepsie, New York

Walker Evans
Doorway, 204 West 13th Street, New York City
ca. 1931
gelatin silver print
National Gallery of Australia, Canberra

Walker Evans
Maine
1969
gelatin silver print
National Gallery of Australia, Canberra

Walker Evans
New York State Farm Interior
1931
gelatin silver print
National Gallery of Australia, Canberra

Margaret Olley
Chinese Screen and Yellow Room
1996
oil on panel
Art Gallery of New South Wales, Sydney

Margaret Olley
Hawkesbury Wildflowers and Pears
ca. 1973
oil on panel
National Gallery of Australia, Canberra

Margaret Olley
Katie's Quinces
1976
oil on panel
National Gallery of Australia, Canberra

Margaret Olley
Ranunculus and Pears
2004
oil on panel
Art Gallery of New South Wales, Sydney

Fairfield Porter
The Table
1970
lithograph
Art Institute of Chicago

Fairfield Porter
Still Life with Giotto's Magdalene
1966
oil on panel
Portland Museum of Art, Maine

Fairfield Porter
Elaine de Kooning
1957
oil on canvas
Metropolitan Museum of Art, New York

Fairfield Porter
Laurence at the Piano
1953
oil on panel
New Britain Museum of American Art, Connecticut

Sonnets from China

                                 XV

As evening fell the day's oppression lifted;
Tall peaks came into focus; it had rained:
Across wide lawns and cultured flowers drifted
The conversation of the highly trained. 

Thin gardeners watched them pass and priced their shoes;
A chauffeur waited, reading in the drive,
For them to finish their exchange of views:
It looked a picture of the way to live.

Far off, no matter what good they intended,
Two armies waited for a verbal error
With well-made implements for causing pain,

And on the issue of their charm depended
A land laid waste with all its young men slain,
Its women weeping, and its towns in terror.

– W.H. Auden (1938)