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| Richard Hamilton My Marilyn 1965 screenprint Moderna Museet, Stockholm |
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| Richard Hamilton The Solomon R. Guggenheim (Black) 1965-66 fiberglass relief Guggenheim Museum, New York |
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| Richard Hamilton The Solomon R. Guggenheim (Spectrum) 1965-66 fiberglass relief Guggenheim Museum, New York |
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| Richard Hamilton The Solomon R. Guggenheim 1967 oil paint over gelatin silver print Guggenheim Museum, New York |
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| Richard Hamilton I'm Dreaming of a White Christmas 1967 screenprint Tate Modern, London |
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| Richard Hamilton Swingeing London 1968 offset-print after collage of newspaper cuttings Moderna Museet, Stockholm |
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| Richard Hamilton Kent State 1970 screenprint after broadcast image Moderna Museet, Stockholm |
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| Richard Hamilton Trichromatic Flower Piece 1973-74 etching, engraving and aquatint Tate Modern, London |
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| Richard Hamilton Archive I 1981 lithograph Tate Modern, London |
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| Richard Hamilton In Horne's House (series, Imagining Ulysses) 1981-82 etching, engraving and aquatint Moderna Museet, Stockholm |
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| Richard Hamilton Lobby 1985-87 oil on canvas Tate Modern, London |
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| Richard Hamilton Four Self Portraits - 05.3.81 1990 oil and enamel paint over C-prints, mounted on canvases Tate Modern, London |
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| Richard Hamilton A Mirrorical Return 1998 inkjet print of digital collage Tate Modern, London |
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| Richard Hamilton The Marriage 1998 inkjet print of digital collage Tate Modern, London |
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| Richard Hamilton The Sainsbury Wing 1999-2000 oil on canvas Tate Modern, London |
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| Richard Hamilton Portrait of Dieter Roth 2007 oil paint over C-print, mounted on canvas Tate Modern, London |
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| Richard Hamilton The Beatles 2007 digital reprint of 1968 offset-poster from The White Album Tate Modern, London |
from Matinées
When Jan Kiepura sang His Handsomeness
Of Mantua those high airs light as lust
Attuned one's bare throat to the dagger-thrust.
Living for them would have been death no less.
Or Lehmann's Marschallin! – heartbreak so shrewd,
So ostrich-plumed, one ached to disengage
Oneself from a last love, at center stage,
To the beloved's dazzled gratitude.
What have certain Saturday afternoons
Wrought upon a bright young person's morals
I now leave to the public to condemn.
The point thereafter was to arrange for one's
Own chills and fever, passions and betrayals,
Chiefly in order to make song of them.
– James Merrill (1969)