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Alice Neel Kenneth Doolittle 1931 watercolor and graphite on paper Hirshhorn Museum, Washington DC |
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Alice Neel Frank O'Hara 1960 oil on canvas National Portrait Gallery, Washington DC |
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Frederick William McDarrah Alice Neel 1961 gelatin silver print National Portrait Gallery, Washington DC |
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Alice Neel James Farmer 1964 oil on canvas National Portrait Gallery, Washington DC |
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Alice Neel Joseph Papp 1964 oil on canvas National Portrait Gallery, Washington DC |
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Alice Neel Helen Merrell Lynd 1969 oil on canvas National Portrait Gallery, Washington DC |
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John Koch John Koch painting Alice Neel 1969 oil on linen Hirshhorn Museum, Washington DC |
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Alice Neel Robert Stewart 1969 oil on canvas National Portrait Gallery, Washington DC |
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Alice Neel Kate Millett 1970 acrylic on canvas National Portrait Gallery, Washington DC |
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Alice Neel Andy Warhol 1970 oil and acrylic on linen Whitney Museum of American Art, New York |
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Alice Neel Virgil Thomson 1971 oil on canvas National Portrait Gallery, Washington DC |
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Alice Neel John Perreault 1972 oil on canvas Whitney Museum of American Art, New York |
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Alice Neel Still Life - Rose of Sharon 1973 oil on canvas Whitney Museum of American Art, New York |
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Alice Neel The Soyer Brothers 1973 oil on canvas Whitney Museum of American Art, New York |
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Lida Moser Alice Neel 1975 gelatin silver print National Portrait Gallery, Washington DC |
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Alice Neel Sari Dienes 1976 oil on canvas Hirshhorn Museum, Washington DC |
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Alice Neel Self Portrait 1980 oil on canvas National Portrait Gallery, Washington DC |
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Alice Neel Franklin D. Roosevelt 1982 oil on canvas (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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Alice Neel Margaret and the Evans Twins 1982 screenprint Reynolda House Museum of American Art, Winston-Salem, North Carolina |
On the Block
1 / Lamp, Terracotta Base, U.S., ca. 1925
If when you're old and musing
Upon my whats and whys
Another one should flicker
Its last before your eyes
Don't worry, they give out, too,
Those burning filaments,
Imagination's debris
Englobed still in a sense
Briefly too hot to handle,
Too dim a souvenir,
Then, for the deft unscrewing
Unless you first, my dear,
Feel for what it shone from,
Ribbed clay each night anew
Hardened to its mission:
Light for the likes of you.
Light for the likes of you.
2 / Mantel Clock, Imitation Sèvres
Time, passing, glances at the clock
Perhaps with pity – who's to say?
Still rose and ormolu, its hands
Clasped in dismay . . .
"Stay then, thou art so fair," he smiles,
To put the pretty thing at ease.
"I will, I have," the latter sighs.
"Now what, please?
Teach me to tick without the touch
I took my life from – ah, those years!"
It's dusk; the dial brims with faint
Firefly tears.
The arbiter reviews a face
Flawless in its partial knowing:
"Child, think well of me, or try.
I must be going."