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| Gino Severini The Boulevard ca. 1910-11 oil on canvas Estorick Collection, London |
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| Gino Severini Self Portrait 1912 drawing Art Institute of Chicago |
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| Gino Severini Festival in Montmartre 1913 oil on canvas Art Institute of Chicago |
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| Gino Severini Le Double Boston [dance step] 1913 chalk on paper Walker Art Center, Minneapolis |
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| Gino Severini Sea = Dancer 1914 oil on canvas Peggy Guggenheim Collection, Venice |
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| Gino Severini Red Cross Train passing a Village 1915 oil on canvas Guggenheim Museum, New York |
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| Gino Severini Still Life 1916 oil on canvas Art Institute of Chicago |
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| Gino Severini Self Portrait 1916 drawing Art Institute of Chicago |
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| Gino Severini Quaker Oats Cubist Still Life 1917 oil on canvas Estorick Collection, London |
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| Gino Severini Still Life against Pink 1918 oil on canvas Kröller-Müller Museum, Otterlo, Netherlands |
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| Gino Severini Harlequin 1922 gouache on paper Yale University Art Gallery |
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| Gino Severini Pierrot with Guitar 1923 oil on canvas Museum Boijmans Van Beuningen, Rotterdam |
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| Gino Severini Pigeons and Grapes 1930 pochoir Dallas Museum of Art |
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| Gino Severini Portrait of the artist's daughter Gina 1931 oil on panel Museum de Fundatie, Zwolle, Netherlands |
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| Gino Severini Pas de Deux 1952 lithograph Art Institute of Chicago |
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| Gino Severini Composition 1955 lithograph Moderna Museet, Stockholm |
Ode Nine
Snow's on the fellside, look! How deep;
our wood's staggering under its weight.
The burns will be tonguetied
while frost lasts.
But we'll thaw out. Logs, logs for the hearth,
and don't spare my good whisky. No water, please.
Forget the weather. Elm and ash
will stop signalling
when this gale drops.
Why reckon? Why forecast? Pocket
whatever today brings,
and don't turn up your nose, it's childish,
at making love and dancing.
When you've my bare scalp, if you must, be glum.
Keep your date in the park while light's whispering.
Hunt her out, well wrapped up, hiding and giggling,
and get her bangle for a keepsake;
she won't make much fuss.
– Horace (65-8 BC), translated by Basil Bunting (1977)