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| Sture Ekstrand Greta Garbo ca. 1925 gelatin silver print Moderna Museet, Stockholm |
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| Anselm Feuerbach Amazon Battle ca. 1870-73 oil on canvas Germanisches Nationalmuseum, Nuremberg |
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| Francis Bacon Pope II 1951 oil on canvas Kunsthalle Mannheim |
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| Anonymous Photographer Antlers ca. 1870-80 tintype Amon Carter Museum, Fort Worth, Texas |
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| Hans Christoph North Sea 1923 oil on cardboard Galerie Neue Meister (Albertinum), Dresden |
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| William Turner Dannat Aragonese Smuggler 1883 oil on canvas Musée Hyacinthe Rigaud, Perpignan |
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| Hugo Henneberg Villa Torlonia 1906 photogravure Amon Carter Museum, Fort Worth, Texas |
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| attributed to Jusepe de Ribera Warrior Saint ca. 1630 oil on canvas Musée Ingres Bourdelle, Montauban |
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| Paul Burty Haviland Miss Doris Keane 1912 photogravure Amon Carter Museum, Fort Worth, Texas |
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| Giuseppe Badiali Gothic Forehall by Night ca. 1830 watercolor on paper Morgan Library, New York |
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| Gustave Caillebotte Rue de Paris, Temps de Pluie 1877 oil on canvas Musée Marmottan Monet, Paris |
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| Baron Adolf De Meyer Marchesa Casati 1912 photogravure Amon Carter Museum, Fort Worth, Texas |
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| Marinus Bonifacius Willem Dittlinger Still Life 1925 oil on canvas Dordrechts Museum, Netherlands |
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| Albert Edelfelt Cluny Museum Garden, Paris 1878 oil on canvas Ateneum Art Museum, Helsinki |
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| Patrick Faigenbaum Famille Massimo, Rome 1986 gelatin silver print Art Institute of Chicago |
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| Roman Egypt Portrait of a Young Woman AD 150-200 encaustic on wood (mummy portrait) Národní Galerie, Prague |
[Enter from the side, the Pythia]
Pythia: First among gods, in this my prayer, I give pride of place to the first of prophets, Earth; and next, to her daughter Themis, who, as a tale has it, was the second to occupy this prophetic seat which had been her mother's. The third to have the seat assigned to her – with her predecessor's consent and not by the use of force against anyone – was another Titaness and child of Earth, Phoebe; and she gave it as a birthday gift to Phoebus, who bears Phoebe's name as an addition to his own. Leaving the pool and rocky isle of Delos, and coming to land on Pallas's shores where ships put in, he came to this land and his abode below Mount Parnassus; he was escorted, and shown great reverence, by the road-making children of Hephaestus, who turned an untamed land into a tamed one. When he came here, he was greatly honoured by our people, and by Delphus, the king and helmsman of this land; and Zeus caused his mind to be inspired with seercraft, and installed him on the throne here* as its fourth prophet. Loxias is thus the spokesman of his father Zeus. These are the gods whom I address in my preliminary prayer. Among those whom I mention,** Pallas Pronaia has pride of place. I also honour the Nymphs whose home is the Corycian cave, loved by birds, haunt of divinities; nor do I forget that Bromius has dwelt in this place ever since he led his Bacchants in battle and netted Pentheus in death like a hare. I call also on the stream of Pleistus, and on mighty Poseidon, and on Zeus the Most High, Zeus the Fulfiller, and having done so I go to take my seat on the prophetic throne. Now may these gods grant me far better fortune than on any of my previous entrances into the shrine! And if any Greeks are present, let them approach in an order determined by lot, as is the custom, for I prophesy as the god guides me.
– Aeschylus, from Eumenides (458 BC), translated by Alan H. Sommerstein (2008)
*The "throne" is the mantic tripod on which the Pythia herself sat to speak on Apollo's behalf.
**The Pythia is distinguishing between, on the one hand, the past and present possessors of the Delphic shrine itself, to whom she prays, and other divinities worshipped in its neighbourhood, of whom she will merely make honourable mention.