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| Ray Parker Untitled 1956 oil on canvas Whitney Museum of American Art, New York |
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| Ray Parker Untitled 1959 oil on canvas Guggenheim Museum, New York |
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| Ray Parker Untitled 1960 oil on canvas Los Angeles County Museum of Art |
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| Ray Parker Untitled 1960 oil on canvas Phillips Collection, Washington DC |
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| Ray Parker Untitled 1962 lithograph Art Institute of Chicago |
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| Ray Parker Untitled ca. 1970 lithograph Dallas Museum of Art |
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| Ray Parker Untitled ca. 1970 lithograph Dallas Museum of Art |
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| Ray Parker Untitled ca. 1970 lithograph Art Institute of Chicago |
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| Ray Parker Untitled ca. 1970 lithograph Art Institute of Chicago |
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| Ray Parker Untitled 1979 acrylic on canvas Phillips Collection, Washington DC |
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| Ray Parker This Fall 1980 screenprint Whitney Museum of American Art, New York |
-The-Condition-of-Women-I-1960-found-objects-in-plexiglas-case-on-plinth-Tate-Modern-London.jpg) |
| Arman (Armand Fernandez) The Condition of Women I 1960 found objects in plexiglas case Tate Modern, London |
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| Arman (Armand Fernandez) Paper Boats 1961 folded paper in plexiglas case Guggenheim Museum, New York |
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| Arman (Armand Fernandez) Untitled ca. 1967-68 lithograph Dallas Museum of Art |
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| Arman (Armand Fernandez) Untitled ca. 1967-68 lithograph Dallas Museum of Art |
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| Arman (Armand Fernandez) Cello in Space 1967-68 fragmented cello in polyester resin Scottish National Gallery of Modern Art, Edinburgh |
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| Arman (Armand Fernandez) Undivided Attention 1978 bronze Saint Louis Art Museum |
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| Arman (Armand Fernandez) Paganini's Soul 1979 charred and fragmented violin in polyester resin Saint Louis Art Museum |
from The Tenth Satire of Juvenal
In youth a thousand different features strike;
All have their charms, but have not charms alike:
While age presents one universal face –
A faultering voice, a weak and trembling pace,
An ever-dropping nose, a forehead bare,
And toothless gums to mump his wretched fare.
He grows, poor wretch, (now, in the dregs of life,)
So loathsome to himself, his child, his wife,
That those who hop'd the legacy to share,
And flatter'd long, disgusted disappear.
– Juvenal (AD 50-127), translated by William Gifford (1802)