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| Adrien Ysenbrandt Member of the Hillensberger Family (donor portrait from altarpiece) 1513 oil on panel Lowe Art Museum, University of Miami |
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| Dirk Jacobsz Vellert Figure with Fish 1522 etching and engraving Graphische Sammlung Albertina, Vienna |
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| Jacques Androuet Du Cerceau the Elder Château de Vallery - inner corner of courtyard ca. 1570 ink and watercolor on vellum British Museum |
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| Anthony van Dyck after Titian Study of Leg (from van Dyck's Italian sketchbook) ca. 1621-27 drawing British Museum |
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| Raffaello Vanni Youth with Clasped Hands ca. 1640 drawing British Museum |
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| Willem Drost Sleeping Boy ca. 1655 drawing British Museum |
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| Gaetano Vascellini after Benvenuto Cellini Perseus and Andromeda (after a bronze relief) 1781 engraving Kupferstichkabinett, Staatliche Kunstsammlungen, Dresden |
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| John Downman Study of Mrs Pearson's Sister for the Group 1787 drawing British Museum |
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| Johann Friedrich August Tischbein Family Portrait ca. 1795-1800 oil on canvas (before the French Revolution upper-class women were never shown nursing in European pictures) Museumslandschaft, Hessen Kassel |
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| Henry Tonks Head of Young Woman ca. 1905 drawing British Museum |
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| Hilda Travers Windy Day ca. 1920-25 color linocut Art Gallery of New South Wales, Sydney |
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| Raoul Dufy The Kessler Family on Horseback 1932 oil on canvas Tate Modern, London |
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| Rudolf Bauer The Holy One (Red Point) 1936 oil on canvas Guggenheim Museum, New York |
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| Ilya Bolotowsky Blue Rectangles 1953 oil on canvas Whitney Museum of American Art, New York |
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| Emerson Woelffer Figure 1970 lithograph Amon Carter Museum, Fort Worth, Texas |
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| Jack Youngerman Delfina ca. 1975 screenprint Smithsonian American Art Museum, Washington DC |
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| Henryk Tomaszewski Liberté, Egalité, Fraternité - dans la Pure Biosphère 1989 lithograph (poster for the Bicentennial of the French Revolution) National Gallery of Australia, Canberra |
Sabrina's Song, from the Masque presented at Ludlow Castle
By the rushy-fringèd bank,
Where grows the willow and the osier dank,
My sliding chariot stays,
Thick set with agate, and the azurn sheen
Of turkis blue, and emerald green
That in the channel strays,
Whilst from off the waters fleet
Thus I set my printless feet
O'er the cowslip's velvet head,
That bends not as I tread,
Gentle swain at thy request
I am here.
– John Milton (published 1637)
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